Imagine a world full of roses.




I am a bit behind so decided to share three poems I wrote more than ten years ago about my favorite animal obsession, pumas. These poems were first published in my poetry memoir, On the Rim of Wonder, which is available on Amazon and Barnes and Noble.
I
My neighbor walked out her door
found a puma lying in the lawn.
Puma rose, stretched, disappeared.
At night when I open my gate
I wonder if she lurks
behind the cedar trees,
Pounce ready.
My daughter dreams puma dreams:
a puma chases her up a tree.
There are no trees here big enough to climb.
A Zuni puma fetish guards my sleep.
I run with puma
Night wild
Free.
I scream and howl
Moonstruck
Bloodborn.
I hike the canyon,
stroll around my house,
look for puma tracks.
I see none.
I would rather die by puma
than in a car wreck.
II
I watch for eyes, blue changing to amber and back.
I put my palm, fingers stretched to measure, into the footprint.
Too small, bobcat.
No puma.
My thin body squeezes between the rocks,
climbing quietly down the cliff.
Watching, listening, searching.
No puma.
Pale amber rushes across my vision line.
My heart quakes.
I watch; I wait.
It is Isabella, a golden whir chasing rabbits.
No puma.
At sunrise, I walk the rim,
watching.
At sunset, I walk the rim,
waiting.
At night, I walk the rim,
dreaming.
No puma, not yet.
III
I want
to walk
with you
in my dreams
scream your screams
feel your blood
rushing
your heartbeat
mine
soft golden fur
wound in my hair
your amber eyes
glowing
through my brown
death defying
together walking
moonlit
wild
free

Note: My puma obsession continues. This painting and several others of pumas hang in my house. I now have two puma Zuni fetishes. I hike in the mountains hoping to see one in the wild.
Can you call yourself a creative writer if you have not written a word in months? I have a friend who promotes 20 minutes of writing per day, telling people to just write, forget quality, just write. Really?! I care about quality. Perhaps too much? I make sure to read quality writing 99.99% of the time. Is this just words I am writing here or is it quality or garbage? You tell me!
One thing I can do is read. I’m good at reading. And singing. And gardening. I talk to plants; that’s why they grow for me. I truly care. They bring me peace and joy.
In the last two months, I’ve read three collections of short stories, two by Anthony Doerr and one by Gayle Jones. Normally, I am not a short story reader, but here I am reading these. Talk about different. It’s almost like these two famous writers inhabit different planets. Doerr’s stories seem intensely emotional, often a bit fantastical and heart wrenching with a lush, descriptive, poetic style even though Doerr is not a published poet. Jones is a published poet, yet her stories are blunt, conversational, often first person and sometimes short–one page short.
In many, a character is telling his or her (most of the stories are her) story about where they are, some experience, somebody they knew, what they did or said. In one story the narrator says she’s an angel, explains where she’s been, whom she’s known, and ends up by asking readers if they’ve seen her near the Seine. I doubt anyone mistakes me for an angel.

Note: Book 13 for 2025 is “Butter”, Gayle Jones. A collection of short stories.
A tiny book by the author of “Braiding Sweetgrass” envisions a totally different economy than the kind we have now. She uses a plant, the serviceberry, as a symbol for what she calls the “gift” economy. Instead of everything being focused on maximizing profit, it focuses on sharing and exchange and the idea that natural resources are gifts from Earth, from nature, rather than commodities to be exploited for profit.
She notes that capitalist economies hinge on the concept of scarcity and personal accumulation of wealth often at the expense of others. Gift economies, which occur in many indigenous cultures, focus on the mutual benefit of all which encourages gratitude and trust. Later in the book, she discusses how gift economies can be implemented and flourish alongside the current capitalist economy.
There must be considerable appeal for her concepts because this book has been on the non-fiction best seller list for weeks.

“She was Christian but American Christian, the kind that believed Jesus just needed a bigger gun”–part of the description of the main character’s rich, not dentist mom rich but oil, trust fund rich, blue-eyed, blond girlfriend. Cyrus, the main character is an Iranian American whose father immigrated to the US when Cyrus was a baby after Cyrus’ mom was killed when the US shot down an Iranian passenger plane thinking it was a bomber (July 1988). His dad acquires a job at a Midwestern chicken farm, counting eggs, but special eggs. This farm breeds chickens to grow faster to get to market faster. He works six days a week, long hours, until Cyrus, who excelled in elementary and high school, becomes a sophomore in college. Suddenly, his dad dies.
Cyrus becomes an addict using alcohol and drugs and writes poetry and eventually finishes college. He becomes obsessed with and researches martyrs throughout history–people like Hypatia of Alexandria, Bhagat Singh, Emily Wilding Davison, the Soulit Women. He gets sober and obsessed with his own past. This eventually leads him to travel to Brooklyn to talk to a famous artist whose last exhibit is herself talking to visitors as she dies of cancer. In researching this woman’s paintings, he discovers a strange painting of a young man dressed as an angel whose job as a soldier is to ride at night with a flashlight through the fields of the dead and dying Iranian soldiers consoling them during the Iran/Iraq War. Cyrus knows that his mom’s brother had this actual job during that war and wonders can there be a possible the connection.
Throughout these events the reader is lead to not only explore Cyrus’ thoughts and beliefs but also those of his father, mother, uncle, and best friend, Zee. It is rare for a novel to be both heart wrenching and funny. Akbar accomplishes this task. One moment I found myself laughing out loud and the next almost in tears. I could not stop reading even though the paperback is long. Perhaps my knowing something about Iranian culture, food, etc. helped me appreciate some of the book more than I might have otherwise. Nevertheless, this is a universal story about love, discovering oneself, relationships, parenthood, human nature. It is definitely worth taking the time to read.

While his previous novel, Book Seven for the year, focused on map making, what it is like to be a refugee, and the stories of two, strong girls centuries apart, one of this novel’s main focus is birds. One narrator, at first no name and then later Nadir, relates part of the novel. His mother was an ornithologist who died in a tragic fire. Her ghost often speaks to him. The other main character, Laila, was a famous artist, an illustrator and painter of birds who mysteriously disappeared decades ago. She and a Black ornithologist insisted they had seen a new species of ibis, and she is supposed to have made drawings and paintings of this rare bird but all evidence disappeared with her.
This is also the story of various non-cisgender characters, some of whom hid their true identities from even those closest to them. Additionally, it is the tale of the lives of Syrian Americans in a NYC neighborhood, plus its destruction and renewal. As in his previous novel, the language and descriptions are poetic, often haunting, and sometimes heartbreaking. It also illustrates how our lives are often interrelated even when we are unaware, only to be discovered after years of searching.
I am guessing that the novel is at least somewhat autobiographical given that Nadir, born a girl, knows inside that he is really a boy. Between this novel and the first one, the author transitions from female to male.
Both books are beautifully written and I highly recommend reading them.

What would your life be like if you did not age like everyone else? How would others treat you, your family? Would they kill your mother because they think she is a witch? Could you love someone who grew old while you stayed young? Would you have to move all over the world to avoid detection?
These are the issue the narrator faces because unlike ordinary people, he does not age normally. At the beginning he is living in London as a forty-one year old history teacher but has been alive for centuries. He’s met Shakespeare, travelled the oceans with Captain Cook, and played piano at clubs in Paris.
One organization, the Albatross Society, hunts down and “protects” people like him. Their leader has one rule: do not fall in love. He is also convinced that certain groups want to find these non-agers and imprison them for research. What is factual, real? Does life have meaning without love?

This fictional work is based on the life of the author’s great grandmother. Written as a diary with specific dates, the narrator is not yet a teen when the novel starts. Her parents are wanderers, always looking for a better, new place. Sarah’s character is that of a tough, pioneer girl and then a woman. She can ride horses, shoot to kill, manage a ranch, do whatever it takes to survive. Much of it includes a rather accurate portrayal of life in Arizonan territories as well as Texas at the time including the prejudices of many of the white inhabitants toward the Spanish speaking people already there, fights with Apaches, and the hunt for Geronimo. It is not just the story of her own life, including her relationship with the Army Captain whose job initially is to protect a wagon train, but also portrays other people living in the Southwest during that time period.
I read this as part of a book club. Reactions to the book varied widely from those of us who thoroughly enjoyed the book to at least one person who insisted it is poorly written and viewed it as a romance novel. The rest of us did not. She used an audio book edition. After her descriptions, it appears the audio book does not correctly follow the book itself and is poorly done which may have contributed to her view of this work. I borrowed this novel from the public library and it was obviously well read because it was not in the best condition.

The title tells it all. The author is an investigative journalist. The book is filled with details of varying science reports and studies. A lot of what she quotes is the opposite of the official narrative and science for vaccines in particular, especially those related to childhood vaccinations and Covid vaccines. Technically, both flu and Covid shots are not vaccines in that they do not keep the recipient from getting the disease in all cases like the vaccines for smallpox, measles, and polio do. This does matter in considering whether individuals should get the shots. She also discusses general public immunity in regard to flu and Covid, especially the latter. She also questions the claims that childhood vaccines as they are currently given never cause autism and whether some children are susceptible to extremely negative reactions to these vaccines when the majority of children are not. The main claim is that the giant pharmaceutical companies have enormous power to control the narrative about medications they produce, have huge influence with elected officials of both parties, and will do whatever it takes to make a profit on the drugs they manufacture.

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