Book 52 for 2025: “The City And Its Uncertain Walls, Haruki Murakami


This is my fourth Murakami book in the past couple of months and his latest work. In the Afterword he notes that the core of this long novel is a novella published in 1980 in a literary magazine. He was never satisfied with it and never allowed it to be republished in book form. Yet he knew “this contained something vital for me.” Like his other works I have read, the settings include young people, libraries, and strange events many of which are akin to what is called magical realism. The boundaries between reality and the imagination are blurred and questions who we are and what is real.

It begins with a young couple, 17 and 16, in love. The girl tells the boy about this strange walled town and tells him her real self resides there. She describes it in detail and tells him he could go there and become the Dream Reader in the library in this town which has no books, just old dreams that need to be read and where the main animal form is unicorns who often die in mass during the harsh winters there. One day with no warning, she disappears. In one form or another he spends the rest of his life searching for her. Somehow he ends up in this bizarre town where he has to give up his shadow to remain. He has substantial issues with this as he watches his shadow become ill and nearly die.

Later, after a successful career as a book dealer for a large corporation, he suddenly retires and decides to apply for a head library position in a small town in the remote mountains. He meets the previous head librarian whose life is full of mystery and where the reality of this real place and the bizarre town seem blurred. He meets a strange teenager who practically lives in the library reading books with great rapidity day after day. His relationship with the boy develops and he sees what he has been seeking his entire life.

This book takes a look at what is reality, the subconscious, and life’s meaning. It is also an ode to libraries and books and love.

Puma IV


SAM_0912In the poetry class this week we read Louise Erdrich.  I’ve read most of her novels but did not realize she also wrote poetry.  In particular I liked “Captivity” which made me think of Quanah Parker and his mother.  We are supposed to be inspired by whatever author’s poems we are reading on any given week.  Sometimes that occurs; sometimes not.  The following poem follows the previous three puma poems I published on this blog last September.  This one is different; it comes from an actual dream last week.  Its unique beginnings contradict the fact that I rarely recall dreams and care nothing about dream interpretation.

Stars shining through sleep

Dreaming dark.

A white, luminescent lion

comes nuzzling arms, legs.

Should fear engulf or

a quiet peace dominate?

Tawny lions encircle:

affectionate

smiling lion smiles.

Fear slides in slightly,

logically.

These lions bring love,

a natural peace.

Fear dissipates,

the lions and I locked

in an eternal, primal dance.

Waiting–my first, I think, prose poem


It seems I cannot stop taking courses, or at least some courses–those dealing with art, literature, poetry, music.  Perhaps the reason has something to do with the fact that from about 7:30 to 5 for five days a week, I teach math.  And not just any math, but mostly math to teenagers who hate it, think they cannot do it, and complain considerably.  I try to “save” them, inspire them, help them to see math’s usefulness in regular, ordinary adult life.  Sometimes I succeed and sometimes….

My new poetry class started today, but it is very different from anything I previously studied.  I am supposed to read and learn how to write prose poems.  Now if I can just figure out exactly what is a prose poem versus, let’s say, flash fiction or memoir. I’ve read all the directions and a couple of Robert Bly prose poems and have decided it has a lot to do with imagery.  This post is my first attempt.  Still I am quite concerned that it is not really a prose poem and if not a prose poem, what is it.  Please tell me.

She stands alone by the train tracks,

watching and waiting and dreaming.

Hobos no longer exist.

She remembers reading stories of life

when her great grandmother lived:

hobos begging for food, gypsies stealing

babies and telling fortunes, long days of

working in the corn fields, chopping weeds.

Her own family praises modernity:

tractors, riding lawnmowers, herbicides, pesticides,

electricity, TVs, dishwashers, fast cars, fast food, diet sodas,

cell phones, computers, DVDs, iPADs.

Now the only excitement lays in video games,

guns, and sex.  She watches and waits and dreams.

Rim Rider


I ride the rim on Rosie,

writing stories in my mind.

The neighbor’s husky howls.

Rosie listens, watches,

moves away from the canyon rim.

I write of long lost lovers,

names forgotten,

smiling brown faces,

drifting through my dreams.

I ride the rim on Rosie,

writing stories in my mind.

The bobcat climbs the canyon wall.

Rosie’s ears move,

her body tenses.

I write of childhood memories,

places loved and lost,

of family joys and sorrows,

Mom’s singing while she worked,

Dad’s napping on the blue linoleum  floor.

I ride the rim on Rosie,

writing stories in my mind.

Isabella runs past, bunny hunting, barking.

Rosie wants to run, to race, is held.

I write of fragrant fields of saffron,

endless Thai seas of blue and green,

of lands I’ve loved , the Navaho Nation, the Llano Estacado.

I ride the rim on Rosie,

writing stories in my mind.