Today we went to MacDonald Observatory and signed up for a tour. It was more than we imagined.
The views 360 degrees since you are at the top are, well, spectacular.
In the distance a cloud bank hung over the mountains.
I stood back to take a photo of the different buildings that house the actual telescopes.
We entered the building on the right which houses the 107 inch telescope and walked up 77 stair steps to see it.


It is too large to get a photo of the entire telescope. Depending on what the astronomers want to study, different parts are added and subtracted. The room is temperature controlled between 40 and 50 degrees. The photo below shows another area with a different type of telescope currently under construction.

After leaving here, we took a scenic drive in a circle through the mountains.
We were especially impressed with the unusual rock formations and the giant cotton wood trees of which we saw dozens along a stream bed.

El Presidente was enlarging his war against his citizens. This meant the roads were more crowded than before with refugees fleeing the capital city for safety among the farmers on the plains and up in the hills. Some of these refugees arrived, of course, at the farm of the wicked witch.


Although “the” Ramayana is a fluid narrative, scholarship has traditionally recognized the Sanskrit Valmiki Ramayana as the most authoritative of Ramayanas. But recent studies have brought to light the hundreds of regional stories of Rama and Sita which are more popular with the masses. These would include Krittibasa’s Ramayana in Bengal, Kamban’s Tamil Iramavataram in South India, notably in the state of Tamil Nadu, Tulsidas’s Ramcharitamanas among the Hindi-speaking belt of northern India, and so on. But even here, a pattern seems to emerge; all the above-mentioned authors are male. Within this scenario, a rather unique text stands out, and that is Chandravati’s sixteenth century Bengali Ramayana, for its author was a woman. Even more fascinating is the double-toned nature of the narrative – through Chandravati’s own voice and through the voice of its tragic heroine, Sita.