Checked my Facebook today and this quote showed up–posted by a fellow friend and author. It is from Ann Lamont:
“You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”
Note: In spite of a few men having referred to me as a scandalous woman after reading my book, “On the Rim of Wonder”, I still have not been sued for slander. It has been a few years. I think I am safe. Always tell your truth. Be open to adventure. Live your life. Be the best you that you can be.

Doing a recent talk on pioneering woman writers, I like to do the Before Jane Austen test with my audience. Who can name a single woman writer in the English language before Jane Austen? Alas, because woman have been written out of history to such a large extent, most people come up blank. Then we talk about pioneering Renaissance authors, such as Aemilia Bassano Lanier, the subject of my recent novel, 
Although “the” Ramayana is a fluid narrative, scholarship has traditionally recognized the Sanskrit Valmiki Ramayana as the most authoritative of Ramayanas. But recent studies have brought to light the hundreds of regional stories of Rama and Sita which are more popular with the masses. These would include Krittibasa’s Ramayana in Bengal, Kamban’s Tamil Iramavataram in South India, notably in the state of Tamil Nadu, Tulsidas’s Ramcharitamanas among the Hindi-speaking belt of northern India, and so on. But even here, a pattern seems to emerge; all the above-mentioned authors are male. Within this scenario, a rather unique text stands out, and that is Chandravati’s sixteenth century Bengali Ramayana, for its author was a woman. Even more fascinating is the double-toned nature of the narrative – through Chandravati’s own voice and through the voice of its tragic heroine, Sita.
















Photo credit: The New York Times