I follow Carol Christ for a variety of reasons including her words often make me think about ideas, concepts, controversies in new ways.
The concept of divine omnipotence is the ultimate expression of male dominance as control. Divine omnipotence is the view that everything that happens in the world happens according to the will of a divinity, who is in control of everything that happens in the world. When someone dies or great suffering occurs, we are told, “everything happens for a purpose,” “it was meant to be,” or “everything happens according to the will of God—or Goddess.” In our recent book Goddess and God in the World, Judith Plaskow and I criticize and reject this view on both rational and moral grounds.
The doctrine of divine omnipotence is widely assumed, not only in Christian theologies, but in Islam and to a lesser extent in Judaism. Moreover, it is also to be found in western metaphysical and mystery traditions and in the many New Age and Goddess theologies based upon them. Thus…
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El Presidente was enlarging his war against his citizens. This meant the roads were more crowded than before with refugees fleeing the capital city for safety among the farmers on the plains and up in the hills. Some of these refugees arrived, of course, at the farm of the wicked witch.
Although “the” Ramayana is a fluid narrative, scholarship has traditionally recognized the Sanskrit Valmiki Ramayana as the most authoritative of Ramayanas. But recent studies have brought to light the hundreds of regional stories of Rama and Sita which are more popular with the masses. These would include Krittibasa’s Ramayana in Bengal, Kamban’s Tamil Iramavataram in South India, notably in the state of Tamil Nadu, Tulsidas’s Ramcharitamanas among the Hindi-speaking belt of northern India, and so on. But even here, a pattern seems to emerge; all the above-mentioned authors are male. Within this scenario, a rather unique text stands out, and that is Chandravati’s sixteenth century Bengali Ramayana, for its author was a woman. Even more fascinating is the double-toned nature of the narrative – through Chandravati’s own voice and through the voice of its tragic heroine, Sita.
I wrote this letter to President Obama on November 18, the morning after I returned from a few days at Standing Rock. I am not an activist by temperament. I went to Standing Rock to support a friend who felt strongly called to go, as well as, to support the cause. I did not participate in direct action, because I did not fully grasp till I was there the preparations I would need to make in terms of clearing my calendar for jail time and a return to North Dakota for a trial. Gratitude and respect for those who are taking this risk and dedicating their lives to this cause. 
Photo credit: The New York Times
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