Women-3


I am daughter

of moonlight over desert landscapes

of emptiness and endless expanses.

Too many trees stifle my soul,

enclose

engulf

suffocate

Let me see long,

watch the far horizon,

listen to the wind.

I am daughter

of puma, of jaguar,

stealing through black night

under endless stars.

Alone

wild

free.

Let me wander distances

watchful, timeless.

I am daughter

of the ancients

wise

mysterious

windblown

stark

all knowing.

Let me walk into the sunset

talk with gods.

I am daughter of the universe.

Women-2


Why

and

What

draws me

to witches

 herbal secrets

 moonlight

 ancient ruins

archaic codes.

It is the goddess blood I carry,

remembrance of a past

when women ruled

when peace reigned

and

All were healed.

Women


Women:  wondrous, wild,

daughters of the moon,

mysterious, magnificent, molten,

fierce secret keepers,

possessors of the universal key.

Lahib Jaddo painted this; it hangs in my house.  This poem was inspired by the poet, Lucille Clifton, who is the featured poet this week in my poetry class.

I Have Lived


Depression, sad days, melancholy.

Gone!!

At 26, I said, “To hell with this!

You control your life; live it!!

 

I tried forbidden liaisons, trained horses,

Went around the world, a cobra wrapped around my neck,

Walked the Shalimar Gardens in Kashmir,

Watched the Taj Mahal reflected in still waters,

Stood before the Jama Masjid in Old Delhi,

Strolled the streets of Katmandu,

Talked with monks at the Shwedagon Pagoda,

Bargained with sticks in dirt, math our only common language,

Downed raw turtle eggs in Costa Rica,

Danced on table tops, sang “Adonai”,

Roamed empty roads across the Navaho Nation,

Raised two charming children,

Married, divorced four times.

 

I have lived, running on the rim of wonder.

 

 

This poem is a response to another Mary Oliver assignment for the SCN poetry class.  The prompt was to write about how we might have lived differently or made different choices.  On the whole I possess few to no regrets, have been to places never dreamed of, met astonishing people all over the world, and live exactly as I want to live.  I feel blessed.

 

Why I Write


This post continues the saga of my writing for the SCN poetry class.  One of our first assignments included reading Mary Oliver’s poem about why she writes and then write one of our own about why we write.  Unlike many writers, discipline frequently escapes me.  I write when I feel like it or get inspired or have something special I want to say.  What do I care about?  Why do I write and about what?

I want to write about

beauty and life,

wind and flowers,

riding and writing on the rim,

sleeping in the moonlight.

I want to write to

make a difference,

challenge the status quo,

instill a love of wonder,

change the world

even if only for one minuscule moment

in one tiny corner.

I want to write so that when I die, they will say,

“She mattered!”

Faith, Lies, and the War on Terror


This blog began as a vehicle to “make” me write more and share my writings, e.g. poetry, flash memoir, essays, with others and to learn from reader responses.  Along the way, it morphed into my recipes—starting with friends requesting them, my travels and adventures, inspirations, and thoughts.  This post will morph me into something I fear may be far more controversial, but also feel I must explore. Several years ago, a couple of friends and I enrolled as continuing education students in a course about Islamic thought and literature.  Our hope was to learn more about exactly what the title indicated.  Although I had already read quite a lot of Middle Eastern literature, especially Iranian, and also some Turkish novels as well as memoirs and nonfiction books, I had no one with whom to discuss my readings and thoughts.  This presented an ideal opportunity.  After a couple of weeks, it became quite clear that the teacher had a definite agenda.  Although she never overtly discussed her own religious beliefs, she generally chose parts of readings to discuss to promote a certain, anti-Islamic bias.  We read the Quran (in translation because none of us spoke or read Arabic—mine was a Pakistani translation), Ayaan Hirsi Ali—various works including Infidel, Benazir Bhutto’s autobiography, and short stories by Iranian, Palestinian, and other Middle Eastern authors.  None were from Southeast Asia where the majority of the world’s Muslims live.  None were from India.  When we discussed the Quran, she chose very specific passages that zeroed in on what she perceived to be Islam’s oppression of women and promotion of violence and war.  When the rest of us tried to also discuss passages about ones duty to the oppressed, the orphans, the poor, she would channel the discussion back to her chosen agenda.  Some dropped out.  The rest of us decided to stay because we wanted to read and discuss the writings in spite of the situation.  Over time, our insistence on a broader based view seemed to affect her strong bias slightly.  In the end, she even showed the Iranian movie, “Children of Heaven”, which presents the plight of a poor Iranian family in a very sympathetic light.  The father overtly loves his wife and struggles valiantly to help her and his family in any way he can. This class has led me to further pursue my readings of literature from Iran, Egypt, Turkey, Pakistan, India, etc., both fiction and non-fiction and to learn as much as I can about the past and present as it relates to issues in these parts of the world.  Since then, I have also experienced the privilege of hosting exchange students from Thailand, Brazil, and Argentina.  One of my closest friends grew up Muslim in Indonesia.  I also have Christian, Jewish, Muslim, Buddhist, Pagan and atheist friends from many parts of the world, and some who have little interest in religion. Recently, the librarian where I teach asked me to read Wanted Women, Faith, Lies, and the War on Terror:  The Lives of Ayaan Hirsi Ali and Aafia Siddiqui.  I finished it recently and highly recommend reading this book.  The author, Deborah Scroggins, spent six years following the lives of these two women, including interviewing their colleagues, family members, self proclaimed jihadists, and government officials from several countries.  She delineates an incredible amount of information and data.  If you care about the political and spiritual future of this planet and the ongoing controversies surrounding Islam, Christianity, and Judaism, this book provides an excellent opportunity to explore history and the events of the last 20-30 years, and then to develop your own insights.  My hope is that this post will encourage others to explore new avenues of knowledge and open wider venues of thought that encourage a better, kinder world in which we respect and value each others’ differences.

Recommended additional readings:   This is one of my favorite magazines.  It is free and covers art, cuisine, nature, history, literature, geography, just about everything imaginable.  For teachers, they have suggested uses and additional materials at the back.  It comes out six times per year.

If you are unfamiliar with literature from the Arab world, this is a good place to start.  Mahfouz won the Nobel prize for literature.  Although his novels take place in Egypt, the themes are universal.

In spite of the word jihad in the title, this is more of a “fun” read.  The Iranian American author, a journalist, decided to go to the Iran of her roots and work and live there for a while.  This book describes her adventures as a journalist in Iran.

Other books I recommend are Moonlight on the Avenue of Faith by Gina B. Nahai                   (this is one of my all time favorite books), No God but God by Reza Aslan, another Iranian journalist, The Forty Rules of Love by Elif Shafak (this book is a novel about Rumi, whose beliefs Islamists do not find acceptable), and Shattering the Stereotypes:  Muslim Women Speak Out edited by Afzal-Khan.

Another source of information about events, literature, art, etc. in the Middle East is a blog entitled “Sugar Street Review”.  One of their latest blog posts, Top Five Female Arab Writers provides a list of these women with photos, brief bios, and some critique.

Ten Little White Indians, Final Volume! (Spoilers Already Spoiled!)


This post by a fellow blogger says a lot about what I think regarding certain movies in which American Indians are portrayed or in which they act. It also relates in some ways to my own previous posted poem, “Blood Quanturm”.

danielwalldammit's avatarnorthierthanthou

Bet y’all didn’t notice!

I am one short on my promise of 10 Little White Indians. Well, it turns out that my three-part series on White Indians has four parts, and there is surely a good Monty Python reference in there somewhere, but maybe we’ll save that for another day

***

Let us start with a brief consideration of the near misses.

WIND TALKERS (2002): I remember when this movie was on its way to the theaters, rumor had it that the flick was about the Navajo Code Talkers. Working as I did then on the Navajo Nation, I was (like a lot of my students and colleagues) really excited to see this part of American history portrayed on screen. My enthusiasm waned considerably when I realized it wasn’t about a Code Talker so much as a white guy who might have to kill a Code Talker if things took…

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Marriage


The following poem was chosen to be published in the Story Circle Network’s annual Anthology this past autumn.   I submitted two flash memoir pieces, including the Spiders story on a previous post,  as well as this poem.  I was very surprised that this was the one chosen.

Marriage

                                               I remember the time he touched my face, melting me.

                                               I married him; my face slowly, inexorably froze.

Horses in Heaven


Heaven for horses seems a bit far fetched, especially for someone who lacks certainty about heaven  even for people.  Nevertheless, it remains a comforting concept.  Yesterday, I buried Starry Miracle, less than two, an orphan I bottle fed every 3-4 hours day and night when his  mother, Miracle, died.  He not only survived, he thrived.

Around 4:30 Wednesday, friends went to my place to ride Rosie, a chunky, red roan mare.  They found Star dead.  It appeared he had been playing, jumping, and rearing, and freakily caught his ankle in a space between the pipe gate and fence, broke it and ruptured his femoral artery, then bled to death.  When they called to tell me, disbelief set in.  As a horse owner for many years, I know the common causes of horse deaths, colic mainly, from which Miracle died three days after his birth.  I have inspected fences and corrals for safety many times.  The possibility of such an accident never even entered my mind.

His body stiff, distorted,  his coat, lusterless, bore no resemblance to his burnished copper body, glinting in the sun, following me, nipping if I ignored him.  Often, I thought he thought I was a horse or he a human.

The two surviving horses spent hours standing in the spot where he died, licking the pipe fence from which I had hosed off his blood, smelling the ground, neighing.  They even failed to rush to their hay when I fed them.  Eventually, I opened their gates.  They ran across the rugged canyon land constantly for fifteen minutes, dream horses running in the wind.

 

 

Miracle, Star’s mother, deceased, July 2010.  Rosie who “adopted” Star after Miracle died, and Cool, the other orphaned horse I raised.

Miracle and Star as a newbornRosie, who "adopted" Star after Miracle died.