ancestry

An Afternoon at the Cheech Museum – 2

/ Juliana Lightle / Leave a comment

The second floor of the Cheech contains even more astonishing art including more multidimensional pieces except smaller than the giant one you see when you enter the building.

Depending where you stand in front, to either side, what you see is quite different. I kept thinking some old Flemish art or Hieronymus Bosch meets modern technology.

Much of the art makes a social or political statement especially about colonization, culture, poverty.

Some of the art is reminiscent of Mayan and Aztec calendars.

Hearts appear in many of the paintings.

And of course Frida.

This is a space ship with changing eyes. If you walk around the back there is a creature inside watching everything with monitors.

An Afternoon at the Cheech–1

/ Juliana Lightle / Leave a comment

Some of you may remember the comedy duo Cheech and Chong way back in the day. Cheech has spent his life collecting Chicano and Chicana art. This year he gave a lot of his art collection to open a new museum in Riverside, California. Earlier this week my grandson, his girlfriend and I went to visit the museum. Photos and videos are allowed without flash. The following is the first set of photos I took. Please note that you need to see this art for yourself. Photos do not do it justice. Much of it is multidimensional and looks very different depending on where the viewer stands.

This is what you see when you enter the door; it is two stories high and multidimensional. Look how different the next photo of it looks from this one.

Walk farther to the side and it looks totally different again.

This speaks for itself. Right now where I live the air is clean enough that unless it is foggy, I can see all the way to downtown LA 30 plus miles away.

All the art at this museum has a message; much of it illustrates the ills of society.

The influence of indigenous art, e.g. Aztec, Mayan, can be seem in much of the art and the statements the art makes.

The woman above and the woman below hang next to each other.

The Riverside Art Museum

/ Juliana Lightle / Leave a comment

On January 2, my grandson, D’mitri, his girlfriend, Landri, and I went to The Riverside Art Museum and the Cheech in Riverside, California. This post includes what we saw at this museum. Later I will share photos of the art at the Cheech.

All the art seen in these first photos is by this Turkish-Mexican American artist. Here she explains how and why she interweaves the various parts of her heritage.

The next gallery room contained hundreds of photos from the 1970s in LA and surrounding areas. Although LA certainly is not the perfect place, improvements since that time are evident in the photographs. Here is a photo about that exhibit.

The next gallery contained art of the Joshua trees. The paper used was made of Joshua trees.

The following photos were taken in a hallway above the patio garden and in a smaller adjoining gallery.

The title of this one is The Future.

The galleries are all arranged around this patio.

Blackwater Draw

/ Juliana Lightle / 1 Comment

I walk the mile long trail down into the depths,

caliche, gravel, larger rocks strewn by millennia.

The ancients–Clovis, Folsom, Portales

Man–hunted here at the shores of a lake

nearly 12,000 years ago. In 1929, an amateur

archeologist discovered a spear point lodged in bone.

Scattered cottonwoods whisper in the wind,

timeless voices call me, beckoning.

Who were these people? What did they

look like? Where did they come

from? In whose gods, goddesses, did

they believe? Doubtless hunger

drove them to this place of water

and plenty. Columbia mammoths, giant

sloths, dire wolves, saber toothed cats.

I walk this long path, read signs

that tell what diggers found at specific

spots along the trail: bison horns

spanning seven feet, mammoths twice

the size of elephants. I stand in the shade

of the cottonwoods. They whisper to me.

They tell me ancient tales of hunger, strife,

beauty, love, endurance, woe, war, weaponry,

courage and community. How did they overcome

danger, fear? My skin tingles strangely

in the summer heat. Now this land is dry,

desert, the water that sustained teeming life

evaporated in the crystalline air.

Twelve thousand years from now who will stand here?

Will this place exist? Will someone wonder the meaning

of our bones, who we were, what we believed?

An Old Bowl and the Silver Spoon

/ Juliana Lightle / 1 Comment

My Aunt Julia, Mom’s sister, lived to 94. She loved fine antique china, linens, and French furniture. The ordinary bowl in this photo defies those inclinations, its origins a mystery. How did she acquire such a plain bowl and why? I will never know. In spite of its age, cracks, dull finish, I have used it every morning for decades. It is my breakfast bowl, filled with yogurt or cottage cheese with dried blueberries and a handful of walnuts, or, occasionally, oatmeal.

The spoon, on the other hand, is not ordinary, but rather good silver from the set Dad gave Mom on their first wedding anniversary. Unlike Mom, who saved her good silver for holidays and special occasions, I use these spoons daily and think of her unconditional love, strong will, determination, and love for beauty.

Reflections on Independence Day

/ Juliana Lightle / Leave a comment

IMG_3636

When I was a child, we lived on a farm where it rains around 40 inches annually.  On the Fourth of July, Dad always shot off a few Roman candles, and we had small firecrackers and sparklers, nothing fancy, just fun.  Even then I knew about the Declaration of Independence, revered its message.  Still do.

Now I live where it is hot and dry.  The neighbor’s fireworks display rivaled those found in cities–beautiful but dangerous in brown grass country.  I wonder if they give any thought to the history, to why anyone celebrates this day.

For the first time in the decades of my life, I did not celebrate Independence Day.  Why?

Born decades ago, I originally went to college in Virginia where I experienced the shock of real segregation; I had not grown up where it was like that. I was horrified, lasted only one semester, then transferred.  Later I attended a college which shut down in protest over the Viet Nam War, I supported The Civil Rights Movement, I helped create one of the first intercollegiate groups to advocate for abused women, and with an ethnically diverse group I taught diversity classes for teachers.

Now in 2020, I feel that even with all that hard, determined work, progress has been too limited.  It is as if I have been transported back to 40 years ago.  People need to learn from the history most do not even know:

-Cotton Mather, the leading intellectual and Puritan minister in the colonial era, actually helped butcher King Phillip (Metacomet) like an animal.  What did he do to deserve this?  He tried to save his Native people.  Cotton Mather later writes about tearing Metacomet’s jaw from his skull.

-In 1676, when poor whites joined enslaved Africans to rebel for a better life and decent living conditions, fighting for justice against the wealthy planters, those rich planters realized they had to get poor whites to hate Blacks.  They took land owned by Blacks and gave it to poor white people and then paid them to hunt down and abuse, even kill, people of African descent.

-Later, the same Cotton Mather mentioned above, learned from his slave that in Africa, Africans had been taking pus from a smallpox infected person and inoculating others with it to prevent smallpox from spreading.  He refused to believe any African  could be so smart even though he inoculated himself and his family after learning this.  Later, he wrote this about his African slave who had told him the story that may have saved his life: “…brokenly and blunderingly and like Idiots they tell the Story.”

-Of course, we all know that the intellectual giant, Thomas Jefferson, held the deed to the woman who would later bear him numerous children while he proclaimed those famous words that all people are created equal.

The history of racial and ethnic hatred goes back to the inception of this country.  It continues to poison progress and hope.  It never seems to end.  I am tired of it.  Enough is enough.

 

 

 

 

 

 

 

 

In Honor of My Father

/ Juliana Lightle / Leave a comment

The Nap

He lays on his back on the cold, hard, blue linoleum floor after

the midday dinner of homegrown roast beef, potatoes, wilted

lettuce salad, hot coffee, coconut topped cake.  His left arm

forms a right angle at the elbow as the back of his wrist rests

on his forehead, touching the slight curliness of his not quite

black hair.  His left leg stretched out straight, right one drawn

up, knee jutting out.  The sleeves of his worn, pale blue dress

shirt rolled up; his overalls show signs of wear and washing.

Every day after dinner he naps in the same spot in this same

position for exactly fifteen minutes before returning to the field.

 

My father.

 

Seventeen years after his death, one day as I napped, slowly

driving off, astonishment stuck.  There I lay exactly as my

father used to so many years ago, my left arm forming a right

angle, wrist on my forehead, left leg stretched out straight, right

one drawn up, knee jutting out.  I remember not just in heart

and mind.

 

The body always knows.

 

10010469_10201104950059786_1020986835_o

Taken at the top of Mt. Evans in Colorado when I was a child.

 

 

The World in One Room

/ Juliana Lightle / Leave a comment

 

Four jaguar heads stare at me,

Mexican, Costa Rican.

A third guards the mantel,

partially hidden in tropical plants,

attack ready, tail raised, jaws open,

teeth bared.

 

My feet rest on a coffee table

carved in Kashmir.  I look at the photo

of the young man whose family made it.

He took me home to meet his mom,

to the floating market.

Once peace reigned there.

Now I wonder if he is safe, alive.

 

The Hoop Dancer raises his arms,

the Acoma pot exudes ancient

black on white beauty, painted

by the tips of yucca stems.

The Thai Spirit House begs

to appease evil spirits.

I should put food and flowers there;

I never do.

 

Corn plant of life–for Navaho, Hopi,

me, painted, growing up my wall,

blue and red birds flitting through

the stalks, singing ancient songs.

Corn Maiden rug hanging on the wall;

an Isleta Pueblo girl won a contest

with its design.  Four Corn Maiden

Kachinas watch the room.

Corn everywhere–Sacred Corn.

 

Three Ethiopian crosses, St. George

and the Dragon, Frida Kahlo doll,

Argentinian Madonna, Tohono O’odham

baskets, a painted cow skull, Nigerian carved

wooden elephants, including a Chieftains chair,

the stained glass transom window from the house

where my dad lived from birth to ten.

 

In a room filled with windows, there

is little room for paintings, yet–

purple bison glide across the prairie,

an Iraqi woman flies through an azure

sky filled with dark blue birds,

a 15th century mystic, Kabir, tells

a tale in poetry, Navaho spirits,

pumas walking toward me–

my obsession.

 

Rugs scattered–Kerman,

an unknown Persian city, Afghani,

Egyptian, Indian, Zapotec, scraps of old

Turkish rugs sewn together.

 

In one cabinet, Grandmother’s china,

Mom’s Czech crystal–a wedding present

decades ago, Grandson’s painted art,

the silverware Dad gave Mom on their

first wedding anniversary,  Mom’s

everyday dishes–flowers blooming.

I use them every day.

 

These objects–a testament to who I am:

World wanderer, seeker, citizen.

SAM_0912

SAM_0035

 

 

 

 

 

Summer Reading

/ Juliana Lightle / Leave a comment

IMG_3957Last year I joined Now Read This, the online bookclub sponsored by PBS and The New York Times.  Why did I join?  To expand my exposure to books I might not otherwise read, to learn, to explore, to interact with others reading the same books.

I rarely read fantasy or science fiction.  This summer has become an exception.  The June choice, The Fifth Season by Jemisin, won the Hugo in 2016.  The other two books in the trilogy won in 2017 and 2018.  I wanted to know what happened to the characters so I read them all.  The spine says Fantasy.  I think they are more science fiction.  Even people who claimed they did not like either fantasy or science fiction became like me and read them all.  This series tells a futuristic tale extremely applicable to events, both social and political, in the world today, how prejudice kills both overtly and covertly,  how fear of those who are different affect everyone, what it costs to live in a world where certain attitudes exist.

It took me two days to finish the July title even with chores, touchup house painting, all the things teachers attempt to do during summer break.  Although I had previously read at least three books by Luis Alberto Urrea, I had not read this one, The House of Broken Angels about a family who lives back and forth across the border–San Diego and Tijuana.  It is a tragic-comedy about the endurance, hopes, dreams, cooking, living of several generations.  His non-fiction book, The Devil’s Highway, is a must read for those who want to understand what occurs along the US-Mexico borderlands.

In the midst of all this, I went back and reread Ursula LeGuin’s The Left Hand of Darkness.  Wow, no wonder it caused a stir when it was published in the 1960s: a whole country where everyone switches back and forth between male and female and those who cannot do this are considered perverts.  Additionally, the main character is described as having very dark brown skin and those who do not behave exactly as they should or politically protest are sent off to a stark camp where they work in excessive cold and eventually die.

Then I read an article about Toni Morrison and authors who do not write for people based on a certain audience, e.g. black, white.  They write about what they know, what they feel, for a different purpose. One book listed was Children of Blood and Bone by Tomi Adeyemi, a fantasy, all of which takes place in what we now think of as Nigeria. It has not one single white character in it.  I kept thinking, wow.  I read a lot of literature from Africa, Middle East, and Latin America.  Most of the time, for better or worse, characters from other cultures show up, usually European and usually for the worse.  Not in this one.  If you go to a book store looking for it, look in Young Adult.  Jemisin’s can be found in Adult Science Fiction/Fantasy.  When I mentioned to someone I could not tell why some are categorized one way and some another, I was told there is less graphic sex in YA.  Really?  I cannot tell the difference.

Next on my list?  I annually act as a judge in a literary contest.  Three novels arrived in yesterday’s mail.  Guess I need to get busy.

 

Black Raspberries

/ Juliana Lightle / Leave a comment

Mom filled the white bowl with black raspberries.

I pour Bossie’s white milk over them,

watched it form a pattern,

flowing around the raspberries–

a design in deep purple and white.

I thought it almost too beautiful to eat.

I was seven.

Now I rarely find black raspberries.  Red ones won’t do.  They lack intensity, the beauty.  Every year we went to Hunt’s Orchard north of Amazonia, Missouri, to buy black raspberries, took them home, sorted to discard the imperfect ones, then threw them way behind the garden next to the timber–huge trees, oak and hickory.  Eventually, these imperfections transformed into thriving black raspberry bushes.  We had our own patch, created from the discarded, the imperfect.

Mom fed us fresh raspberries for a few days.  The rest she used to create her famous pies, froze a freezer full.  Baked, they transformed a winter kitchen into the warmth and sweetness of my mother’s family devotion.

I bake pies, many kinds of pies.  I have never made a black raspberry pie.

 

12193406_10204105678156113_6043720938154804167_n

Note:  this will be published in an upcoming publication by the Story Circle Network.  In July my daughter, grandson, and I went to Hunt’s Orchard–yes, it still exists.  I asked about black raspberries.  We were too late; the season was over.  The timber behind the garden area was to the right in this photo.  The person who bought the land years later bulldozed down all the big trees.