novels

One Book a Week-32: “gilead”, Marilynne Robinson

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A theological treatise, a family history, and a love story, this winner of the Pulitzer Prize, left me wondering. It is nothing like any of the other books I’ve previously read. As a long letter from an aging preacher to his young son, it contains family stories of his pacifist preacher father and his violent preacher grandfather, an ardent abolitionist who knew and aided John Brown, theological religious analyses and musings, personal beliefs and doubts, and his own unlikely love story only found at the age of 67, and his views and feelings toward the Iowa prairie and the tiny town where he lives.

For a substantial portion of this letter, the narrator discusses the mixed feelings he holds toward his namesake, the wayward son of his best friend, another local preacher. In the paperback version I read, the first 215 pages continue, no breaks, no chapters. Then, suddenly, there is a blank page and the narrator relates some rather unexpected new information about his friend’s wayward son and his own reactions to this information. In the last two pages, the narrator discusses his love of the prairie and the town and why he never left.

I read several reviews on Amazon and find some do not really review the book but rather rant about their religious opposing views to what the narrator relates or criticize the style and subject matter with which they disagree. For me I can read a book and even though I may disagree with some of the material, if it is well written. Well, this novel is well written. The prose is lovely, often poetic, and some of the descriptions remain memorable. However, if you want a traditional plot, do not want to think about religious views and philosophies, then this novel is not for you.

One Book a Week-31: “Miracle At St. Anna”, James McBride

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The third novel I’ve read by McBride in the last year, “Miracle At St. Anna” brings to life a little know part of WWII. Toward the end of the war, the US sent the Army’s Negro 92nd Division to Tuscany. Due to the ineptitude of one of their superiors, several soldiers find themselves behind enemy lines. This is their story–they sneak through dangerous mountain passes and ravines and find themselves in the tiny village of St. Anna di Stazzema where the peasants take them in and treat them more respectfully than they had been treated at home. It is also the story of this village, the residents there, and an orphan boy one of the soldiers rescues, a story of the tragedies of life and war and the miracles the villagers, the soldiers, and the boy experience.

While heart wrenching, it also inspires.

Note: I read this book last week and started on two others, one of which is the original “The Little Review ‘Ulysses'” which is how the first copies of James Joyce’s “Ulysses” were published. From March 1918 to December 1920, the Little Review published chapters of “Ulysses” in serial form. They had to quit because the material was considered obscene and censored. My reading of this is a long work in progress. This copy is not edited; the original spelling and other mistakes remain.

One Book a Week-29: “We Are Not Like Them”, Christine Pride and Jo Piazza

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A heart wrenching Prologue begins this contemporary novel about race, family, and friendship. Two children, one white (Jen) and one black (Riley), became best friends in kindergarten. Their close friendship endures to adulthood and through distance. Finally, once again in the same city, their bond is tested when Jen’s husband, a police officer, shoots an unarmed 14 year old black boy. Riley, a TV reporter, is assigned to interview the boy’s mother.

Their story, told from the viewpoints of both women, covers the effects of such a tragedy on family and fellow police officers and the community, illustrates the trauma of current events, and demonstrates how such a disaster tests all involved.

One Book A Week-27: “Lucy By The Sea”, Elizabeth Strout

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A short, honest, realistic view of life, this book by Strout, written from the viewpoint of Lucy
Barton, continues the story started in her book, “Oh, William”, where Lucy and her ex, William, go to Maine to seek out his long lost sister whom he did not know existed until he took a DNA test. Once again they head to Maine, but for a much more stressful reason, the Covid pandemic. They both live separately in NYC where Covid hit early and hard. After accurately assessing the danger, William finds a large, old house to rent on the Maine coast and convinces Lucy to go with him there to save their lives. He convinces one daughter to leave NYC but the other insists on staying.

The book addresses the issues of isolation brought on by the pandemic and how people deal with stress and isolation differently and with the difficulties which arise when once close families can no longer see each other. It also shows that isolation can bring the positives that can be found in a more quiet life. Strout’s uniquely simple style emphasizes the emotions and stresses as well as the joys life can bring to all of us.

One Book A Week-25: “The Daughters of Madurai”, Rajasree Variyar

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The first sentence of the book reads: “A girl is a burden. A girl is a curse.”

In India in early 1990s, Janani lives with her abusive mother-in-law and an alcoholic husband who is often absent, chauffeuring people here and there. Although she is allowed to keep daughter number one, the fate of the next daughters is death. She, who is Tamil lower caste, is lucky enough to work for the same higher caste family for whom her mother worked and with whom she spent most of her childhood. They treat her much better than her husband and mother-in-law who hate her for not bearing a boy baby.

The book goes back and forth between this time period and 2019 Australia where the fate of Indian girls and women is far different. The family returns to India for the funeral when the family patriarch dies. Those who know little about their family history learn some shocking revelations.

In the Afterward, the author discusses female infanticide. Although many educated families oppose it and national laws prohibit the practice, it remains so common in parts of rural India that in those places there is a shortage of women for marriage. As a consequence, men resort to kidnapping women from other areas.

I thought it would take me a while to read this 326 page novel. However, I became so engrossed, I finished it in two days while also engaging in several other activities.

Book a Week-21: “Boy, Snow, Bird”, Helen Oyeyemi

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A unique and sometimes frightening story with a surprising ending, this is another tale of the lengths to which people of color will go to pass for white to gain the benefits of whiteness. For one New England family this has succeeded quite well by sending a too dark daughter back South to live with relatives and never allowing her to come to the town where the rest of the family lives. It fails when a too dark child is born and the parents keep her with them. It is also a tale of gender identity and how rape and abuse can destroy and deform and of resilience in the face of endless obstacles. This is not an ordinary novel.

Book a Week-20: “Sankofa”, Chibundu Onuzo

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After her mother dies, Anna searches through her mother’s belongings and discovers a hidden diary written by the African father she never knew and about whom her white mother, who never married, told her nearly nothing. She travels to Scotland to have the diary authenticated by an expert, researches, and discovers her father had to return to Africa, became a revolutionary, and then president (or dictator, depending on the source) of a small African nation. She also learns that he is still alive.

Leaving behind a daughter and white husband from whom she is separated, Anna decides to travel to Africa to find her father. Treated unequally as a biracial child in England, in Africa she is seen as “obroni”, white. Thus, the book addresses issues of racial identity, family acceptance (she does find her father) and belonging, and tells a tale of the adventures of a middle-aged woman in search of self.

One Book a Week-19: “The Round House”, Louise Erdrich

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Winner of the National Book Award in 2012, and narrated by the 12-13 year old son of a tribal judge and a professional, tribal woman, this novel details the story of a family nearly destroyed by the brutal attack on the boy’s mother. Even after the identity of the attacker is known, he is set free because she will not tell or cannot recall where the attack occurred, whether on tribal land or just outside its boundary. This leads to the boy’s determined quest to obtain justice for his mother. This page turner perfectly illustrates the continual problem of justice for indigenous women who are 2-3 times more likely to be raped (and often killed in the process) than white women and with no one ever charged.

Given the seriousness of the novel, it is surprisingly funny at times with the antics of teen boys and other characters, including some colorful and interesting older tribal members and an ex-Marine priest. The reader will also learn a lot about Ojibwa culture. Once you start, you have to keep going in hopes that somehow justice will prevail in the end.

One Book a Week-18: “If An Egyptian Cannot Speak English”, Noor Naga

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Identity politics remains at the heart of this unusual novel. Written in three parts, One portrays a “love” affair between an Egyptian American woman who has gone to Cairo to find her Egyptian self and an unemployed, revolution (as in Arab Spring) photographer who alternates between living in a rooftop shack and homelessness. Each vignette starts with a question and alternates between the voice of the woman and the man, expressing their viewpoints on life, love, and their situation. Part Two is the same except without the “headline” question. Part Three is a big surprise–a discussion, written as a play, a critique of the rest of the novel among the author, an instructor, and several “students”.

I loved this book in part because it enabled me to learn a lot about Egyptian cultures, but also because I found it thought provoking and intriguing.

One Book a Week-17: “Olive, Again”, Elizabeth Strout

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Never having read the first book about Olive, the book that won the Pulitzer for Strout, I did not know what to expect. As I read, I often laughed out loud and then later thought, “What!” Olive is quite the character, sometimes almost blunt to the point of cruelty, sometimes unexpectedly considerate and kind, and always strongly opinionated about things I did not expect. She also has the ability to sometimes look at herself accurately and question herself, which would seem to be a good characteristic. Olive goes on in spite of numerous setbacks, mishaps, and illnesses, including the realities of old age. Strout’s portrayal of some of these realities seems stark, almost brutal. Yes, it’s accurate and she’s good at it, but I kept thinking, “Do I really want to read this?” If I get like this, they can just shoot me. But they won’t.