This is my first Murakami novel; it will not be my last. It’s fascinating and profound. A 15 year old boy, Kafka, runs away from home. His mother and older sister disappeared when he was four. He does not remember them. His father, a famous sculptor, ignores him. Although they live in the same house, they rarely see each other. After running away, he finds a private (but open to the public) library in another city and is taken in by the two people in charge of the library.
Nakata, another main character who is an elderly man, is not very bright due to a bizarre event that sent him to the hospital in a coma when he was a child. He talks to cats and makes fish and eel fall from the sky like rain. He becomes friends with another principal character, a young truck driver, who helps him out because Nakata reminds him of his grandfather.
The novel portrays the lives of these characters through their actions, dreams, and fantastical events. The unreal becomes real and people learn about their true selves through these events.
The novel fascinated me in so many ways, the style of writing, the subject matter, what I learned about some famous paintings and especially Turner. I will never see works by Turner in the same way as I previously did. Before mostly I noticed the colors, the translucence. I totally missed the details and the violence nearly hidden.
The novel takes place after an ecological collapse in England where first violent floods occurred followed by a devastating drought. Now it has not rained in three years and Penelope, the main character, spends most of her time working as an archivist for the notable collection at a soon to be demolished estate in the English countryside. She has lived here for two decades with her current partner, Aidan, who owns the estate. The disasters have nearly destroyed the once magnificent mansion. Now Penelope and Aidan allow refugees from the disasters to live there with them as they transition to new places and housing until the new buyers demolish the place.
Most of the novel is Penelope’s diary, what she writes about her life present and past. In the midst of this her archivist notes appear as well as descriptions of famous paintings, most of which show women being brutalized in one way or another, e.g. The Abduction of the Sabine Women, 1633-34, Nicholas Poussin. Later in the novel there are segments from the viewpoint of Aidan’s brother, Julian, who previously owned the estate and with whom Penelope experienced a violent and disastrous relationship.
This is a tale of survival, redemption, memory, and art as a means of renewal. I liked this novel so much that I spent time looking up the art the protagonist describes, researching Turner, writing down passages, etc.
“Song Yet Sung” is the final book for me for McBride. I have now read all his books. Like most of his novels, this one is historical, taking place when slavery still existed. Here the setting is the coastal/tidal areas of Maryland and Virginia where many of the men make a living on the water harvesting seafood. This includes both whites and blacks, slaves and free. At least one escaped slave lives in the swamps where no one has been able to find him. One of the characters is an attractive, tough, ruthless woman who makes her living hunting down escaped slaves and sometimes even capturing freemen and selling them South as slaves. Another is a retired slave hunter who cannot get over the death of his son. Finally there is a widow who owns several slaves but totally depends on them for her living, one of whom is a major character in the novel. I had no idea how people lived in this area of the country, the codes, both slaves and free persons, used to survive and sometimes escape. There is a lot of violence in this novel but also plenty of hope and redemption.
“The River Is Waiting” has made it to the top ten fiction list for the last couple of weeks. Without doubt it has to be one of the most depressing novels I have ever read. A young man who hides his addictions causes a horrible, tragic accident. Sent to prison where he really does not fit in at all, he experiences many horrific events but also has a cell mate who is a kind and caring person. Add to this the two hideous, sadistic prison guards and their actions and you have a tale of woe relieved occasionally by acts of honor, beauty and kindness.
Note: Decades ago when I worked at a DOE facility where everyone had to take a psychological test to get a clearance to work there, a specialist came to give us a presentation on the test and how the results were used. As I read “The River Is Waiting”, I kept remembering something the presenter told us: when a test was given at a maximum security prison, the guards scored higher on hostility and anger than the inmates.
This latest Strout novel takes the reader back to Crosby, Maine, the site of most of her other novels. The same cast of characters appear, Olive, the Burgess boys, Lucy, William, Margaret, and all the others. This one, however, has a new twist, a heinous murder occurs. The most obvious suspect is the victim’s reclusive son who lived with her. Bob Burgess is hired as his lawyer. Lucy starts visiting Olive and they tell each other stories about people they have known , what Lucy calls “unrecorded lives”. Meanwhile, Lucy keeps asking, “What does anyone’s life mean?” Lucy and Bob take walks every week, spending the time talking about all the things they feel they cannot talk about with anyone else. William becomes more obsessed with the parasites he is studying and never quits talking about them.
This, like all of Strout’s novels, focuses on relationships, the good and the bad, and how they sustain us, sometimes transform our lives, sometimes nearly ruin us. Although, readers do not have to read her novels in sequence and this one could be read alone, I think it would make more sense to the reader to at least read three others first: “Olive Kitteridge”, “The Burgess Boys”, and “Oh, William”.
Strout has a unique, easy to read style, that is both simple and profound. She talks about people as they are with empathy and concern. She talks about the many forms of love–“…it is always love. If it is love, then it is love.”
Given the nature of the previous book I read by this author and this novel, I have come to the conclusion that she likes to create seriously disturbed, dysfunctional characters. The setting helps with the “mystery”–a somewhat remote island which really is not an island except when the tide comes in. Only one house with only one inhabitant, a steep wooded slope that ends in a rock outcrop with a long plunge to the sea, the disappearance twenty years before of the philandering husband of the famous artist who lived there, and now a lonely, strange, old woman living there alone add to the atmosphere. The relationships among several other characters reveal the continued class structure of British society, its effects. and add to the unsettling nature of the story. To top it all off, a gruesome discovery is made about an art exhibit of the deceased, famous artist who once lived on the island. Although not classified as a mystery, this really is several bizarre mysteries combined. If you like British stories, art, and mystery novels, you will like this novel.
If you have ever felt enchanted by a trip to Rome, you will find this memoir delightful and informative. It made me want to return just to stay a while, wander around, visit the more obscure places Doerr describes, people watch, eat, and drink local wine.
In 2007, Anthony Doerr, the 2015 Pulitzer Price Winner, won the Rome Prize to become a fellow at the American Academy in Rome. He and his wife, Shauna, moved to Rome with their newborn twins, Owen and Henry. This memoir memorializes the four seasons they spent living there. They learn to care for babies; wander throughout Rome visiting tourist sites, local restaurants, the butcher, the baker, the toy store; learn enough Italian to acknowledge all the Italians who stop to admire the babies; and attend the vigil for the dying Pope John Paul II.
While there intending to write his later novel (the one that eventually won the Pulitzer) and failing to do so, he does manage to write a short story which I have read in one of his collections and to read everything by Pliny the Elder. His discussions about his readings makes me want to read some of Pliny the Elder myself. As in his short stories and novels, Doerr’s descriptions, language, and observations delight and enchant. This is a wondrous book about one of the world’s oldest and most fascinating cities which he calls, “a Metropolitan Museum of Art the size of Manhattan with no roof, no display cases…
“She was Christian but American Christian, the kind that believed Jesus just needed a bigger gun”–part of the description of the main character’s rich, not dentist mom rich but oil, trust fund rich, blue-eyed, blond girlfriend. Cyrus, the main character is an Iranian American whose father immigrated to the US when Cyrus was a baby after Cyrus’ mom was killed when the US shot down an Iranian passenger plane thinking it was a bomber (July 1988). His dad acquires a job at a Midwestern chicken farm, counting eggs, but special eggs. This farm breeds chickens to grow faster to get to market faster. He works six days a week, long hours, until Cyrus, who excelled in elementary and high school, becomes a sophomore in college. Suddenly, his dad dies.
Cyrus becomes an addict using alcohol and drugs and writes poetry and eventually finishes college. He becomes obsessed with and researches martyrs throughout history–people like Hypatia of Alexandria, Bhagat Singh, Emily Wilding Davison, the Soulit Women. He gets sober and obsessed with his own past. This eventually leads him to travel to Brooklyn to talk to a famous artist whose last exhibit is herself talking to visitors as she dies of cancer. In researching this woman’s paintings, he discovers a strange painting of a young man dressed as an angel whose job as a soldier is to ride at night with a flashlight through the fields of the dead and dying Iranian soldiers consoling them during the Iran/Iraq War. Cyrus knows that his mom’s brother had this actual job during that war and wonders can there be a possible the connection.
Throughout these events the reader is lead to not only explore Cyrus’ thoughts and beliefs but also those of his father, mother, uncle, and best friend, Zee. It is rare for a novel to be both heart wrenching and funny. Akbar accomplishes this task. One moment I found myself laughing out loud and the next almost in tears. I could not stop reading even though the paperback is long. Perhaps my knowing something about Iranian culture, food, etc. helped me appreciate some of the book more than I might have otherwise. Nevertheless, this is a universal story about love, discovering oneself, relationships, parenthood, human nature. It is definitely worth taking the time to read.
While his previous novel, Book Seven for the year, focused on map making, what it is like to be a refugee, and the stories of two, strong girls centuries apart, one of this novel’s main focus is birds. One narrator, at first no name and then later Nadir, relates part of the novel. His mother was an ornithologist who died in a tragic fire. Her ghost often speaks to him. The other main character, Laila, was a famous artist, an illustrator and painter of birds who mysteriously disappeared decades ago. She and a Black ornithologist insisted they had seen a new species of ibis, and she is supposed to have made drawings and paintings of this rare bird but all evidence disappeared with her.
This is also the story of various non-cisgender characters, some of whom hid their true identities from even those closest to them. Additionally, it is the tale of the lives of Syrian Americans in a NYC neighborhood, plus its destruction and renewal. As in his previous novel, the language and descriptions are poetic, often haunting, and sometimes heartbreaking. It also illustrates how our lives are often interrelated even when we are unaware, only to be discovered after years of searching.
I am guessing that the novel is at least somewhat autobiographical given that Nadir, born a girl, knows inside that he is really a boy. Between this novel and the first one, the author transitions from female to male.
Both books are beautifully written and I highly recommend reading them.
What would your life be like if you did not age like everyone else? How would others treat you, your family? Would they kill your mother because they think she is a witch? Could you love someone who grew old while you stayed young? Would you have to move all over the world to avoid detection?
These are the issue the narrator faces because unlike ordinary people, he does not age normally. At the beginning he is living in London as a forty-one year old history teacher but has been alive for centuries. He’s met Shakespeare, travelled the oceans with Captain Cook, and played piano at clubs in Paris.
One organization, the Albatross Society, hunts down and “protects” people like him. Their leader has one rule: do not fall in love. He is also convinced that certain groups want to find these non-agers and imprison them for research. What is factual, real? Does life have meaning without love?
Written in an unusual style, the narrator, the main character, tells his story to an American visiting Pakistan. While they are sitting eating dinner and later walk to a hotel, the narrator relates his life as an immigrant who found US life too shallow, too focused on profit. The narrator, a young, Pakistani man with an Ivy League degree, attains the heights of success in the US, working in a highly desirable career position where he is the star. After 9/11 occurs, he questions who he is, what working in this sought after career means, whether it is even ethical to work in a position for a firm whose job it is to investigate companies, their profits, and ruin the lives of the people who work there. He is sent to Chile to investigate a literary firm, meets the manager who takes him under his wing and helps him look at what he is doing in a totally different light. Is money everything? Do the lives of ordinary workers matter? In addition, it is a love story. He meets a beautiful, young, wealthy, US woman, they develop a close friendship, and he discovers she is not mentally stable and does everything he can to help her.
While on the surface this appears to be a story of a young immigrant who does not ultimately fit in with US life, it is much more. It raises the questions of the definition of success, of what love is, of profit over humanity.
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