The characters in the eight stories of this collection are people touched by violence of one sort or another, reflective of the violence that has occurred in Colombia’s history. A photographer’s obsession for a woman with a traumatic past, a writer’s fascination with the history of a woman whose grave is outside the official cemetery, two people whose own personal shared histories meet at a grandiose ceremony pretending they do not know each other–are examples of all the tales of complexity found in life and how morals change over time. These are not stories for the faint of heart. They do reveal how traditions of the past harmed people in ways that do not occur today, how lies can catch up with the liar, and how often pretending to be someone you are not often fails.
Given the nature of the previous book I read by this author and this novel, I have come to the conclusion that she likes to create seriously disturbed, dysfunctional characters. The setting helps with the “mystery”–a somewhat remote island which really is not an island except when the tide comes in. Only one house with only one inhabitant, a steep wooded slope that ends in a rock outcrop with a long plunge to the sea, the disappearance twenty years before of the philandering husband of the famous artist who lived there, and now a lonely, strange, old woman living there alone add to the atmosphere. The relationships among several other characters reveal the continued class structure of British society, its effects. and add to the unsettling nature of the story. To top it all off, a gruesome discovery is made about an art exhibit of the deceased, famous artist who once lived on the island. Although not classified as a mystery, this really is several bizarre mysteries combined. If you like British stories, art, and mystery novels, you will like this novel.
Last year I read her novel “Gilead” which takes place in fictional, small, Iowa town in which the main character is the father of the main character in this novel, “Jack”. John Ames Boughton, Jack, is the wayward son of a Presbyterian minister. Previously, he has been wrongly imprisoned for a theft he did not commit. He loves literature, especially poetry. He lives off of odd jobs, drinks too much, smokes, and is somewhat of a lost soul who continuously philosophizes about live, religion, and societal rules. One day he sees a woman walking in the rain. When she drops her bundles on the sidewalk, he helps her. She thinks he is a preacher because of the way he is dressed and invites him in for tea. She is Della Miles, a teacher and the daughter of a Black Methodist minister. This is the story of interracial love when it was still illegal in the US, the lengths they go to resist and hide it, and the reactions of her family. Reading this, one realizes how it was not that long ago that most of the US was not only segregated, but sometimes even talking to someone on the sidewalk from another race could get a person into trouble with the police.
Imagine a society where everyone has shelter and love.
My 15th book of the year was “Imagination, A Manifesto”, Ruha Benjamin. After going over the history of racism, poverty, and misogyny in the US, the author, a professor at Princeton, details various ways individuals and groups can imagine and act toward creating a better world for all. She delineates the endless obstacles to attaining this better world but claims through collectively imagining detailed ways the world can be better, people can work together to attain such a world. She admits individuals rarely have the power to do this alone but working with others, we can make dramatic differences, but first we have to imagine what this better world will look like. We now are prisoners of hierarchies, exploitation, and frequent violence, but it does not have to be this way. The Appendix includes Discussion Prompts, Project Based Prompts, and Speculative Prompts to help readers get started imagining differently. She quotes Toni Morrison–“Dream a little before you think.”
Can you call yourself a creative writer if you have not written a word in months? I have a friend who promotes 20 minutes of writing per day, telling people to just write, forget quality, just write. Really?! I care about quality. Perhaps too much? I make sure to read quality writing 99.99% of the time. Is this just words I am writing here or is it quality or garbage? You tell me!
One thing I can do is read. I’m good at reading. And singing. And gardening. I talk to plants; that’s why they grow for me. I truly care. They bring me peace and joy.
In the last two months, I’ve read three collections of short stories, two by Anthony Doerr and one by Gayle Jones. Normally, I am not a short story reader, but here I am reading these. Talk about different. It’s almost like these two famous writers inhabit different planets. Doerr’s stories seem intensely emotional, often a bit fantastical and heart wrenching with a lush, descriptive, poetic style even though Doerr is not a published poet. Jones is a published poet, yet her stories are blunt, conversational, often first person and sometimes short–one page short.
In many, a character is telling his or her (most of the stories are her) story about where they are, some experience, somebody they knew, what they did or said. In one story the narrator says she’s an angel, explains where she’s been, whom she’s known, and ends up by asking readers if they’ve seen her near the Seine. I doubt anyone mistakes me for an angel.
Note: Book 13 for 2025 is “Butter”, Gayle Jones. A collection of short stories.
If you have ever felt enchanted by a trip to Rome, you will find this memoir delightful and informative. It made me want to return just to stay a while, wander around, visit the more obscure places Doerr describes, people watch, eat, and drink local wine.
In 2007, Anthony Doerr, the 2015 Pulitzer Price Winner, won the Rome Prize to become a fellow at the American Academy in Rome. He and his wife, Shauna, moved to Rome with their newborn twins, Owen and Henry. This memoir memorializes the four seasons they spent living there. They learn to care for babies; wander throughout Rome visiting tourist sites, local restaurants, the butcher, the baker, the toy store; learn enough Italian to acknowledge all the Italians who stop to admire the babies; and attend the vigil for the dying Pope John Paul II.
While there intending to write his later novel (the one that eventually won the Pulitzer) and failing to do so, he does manage to write a short story which I have read in one of his collections and to read everything by Pliny the Elder. His discussions about his readings makes me want to read some of Pliny the Elder myself. As in his short stories and novels, Doerr’s descriptions, language, and observations delight and enchant. This is a wondrous book about one of the world’s oldest and most fascinating cities which he calls, “a Metropolitan Museum of Art the size of Manhattan with no roof, no display cases…
“She was Christian but American Christian, the kind that believed Jesus just needed a bigger gun”–part of the description of the main character’s rich, not dentist mom rich but oil, trust fund rich, blue-eyed, blond girlfriend. Cyrus, the main character is an Iranian American whose father immigrated to the US when Cyrus was a baby after Cyrus’ mom was killed when the US shot down an Iranian passenger plane thinking it was a bomber (July 1988). His dad acquires a job at a Midwestern chicken farm, counting eggs, but special eggs. This farm breeds chickens to grow faster to get to market faster. He works six days a week, long hours, until Cyrus, who excelled in elementary and high school, becomes a sophomore in college. Suddenly, his dad dies.
Cyrus becomes an addict using alcohol and drugs and writes poetry and eventually finishes college. He becomes obsessed with and researches martyrs throughout history–people like Hypatia of Alexandria, Bhagat Singh, Emily Wilding Davison, the Soulit Women. He gets sober and obsessed with his own past. This eventually leads him to travel to Brooklyn to talk to a famous artist whose last exhibit is herself talking to visitors as she dies of cancer. In researching this woman’s paintings, he discovers a strange painting of a young man dressed as an angel whose job as a soldier is to ride at night with a flashlight through the fields of the dead and dying Iranian soldiers consoling them during the Iran/Iraq War. Cyrus knows that his mom’s brother had this actual job during that war and wonders can there be a possible the connection.
Throughout these events the reader is lead to not only explore Cyrus’ thoughts and beliefs but also those of his father, mother, uncle, and best friend, Zee. It is rare for a novel to be both heart wrenching and funny. Akbar accomplishes this task. One moment I found myself laughing out loud and the next almost in tears. I could not stop reading even though the paperback is long. Perhaps my knowing something about Iranian culture, food, etc. helped me appreciate some of the book more than I might have otherwise. Nevertheless, this is a universal story about love, discovering oneself, relationships, parenthood, human nature. It is definitely worth taking the time to read.
While his previous novel, Book Seven for the year, focused on map making, what it is like to be a refugee, and the stories of two, strong girls centuries apart, one of this novel’s main focus is birds. One narrator, at first no name and then later Nadir, relates part of the novel. His mother was an ornithologist who died in a tragic fire. Her ghost often speaks to him. The other main character, Laila, was a famous artist, an illustrator and painter of birds who mysteriously disappeared decades ago. She and a Black ornithologist insisted they had seen a new species of ibis, and she is supposed to have made drawings and paintings of this rare bird but all evidence disappeared with her.
This is also the story of various non-cisgender characters, some of whom hid their true identities from even those closest to them. Additionally, it is the tale of the lives of Syrian Americans in a NYC neighborhood, plus its destruction and renewal. As in his previous novel, the language and descriptions are poetic, often haunting, and sometimes heartbreaking. It also illustrates how our lives are often interrelated even when we are unaware, only to be discovered after years of searching.
I am guessing that the novel is at least somewhat autobiographical given that Nadir, born a girl, knows inside that he is really a boy. Between this novel and the first one, the author transitions from female to male.
Both books are beautifully written and I highly recommend reading them.
Two young heroines dominate this fascinating novel which switches back and forth between the Syria of 2011 and the 12th century. The latter is a girl who disguises herself as a boy to join the quest of a famous mapmaker. Nour, the first girl, lost her father to cancer in NYC. Then her mother, a mapmaker, decides to move herself and the three daughters back to Homs, Syria. They barely settle into their new life when the civil war breaks out and a bomb destroys their house. They become refugees. This is the tale of their harrowing journey from Syria to Jordan to Egypt to Libya to Algeria, then Morocco and finally to Cuenta, the Spainish city on the north coast of Africa, where their uncle lives.
To keep sane, Nour repeatedly tells herself the story of Rawiya, the disguised girl who is an apprentice to the map maker. When he was alive, this was the favorite traditional story her father told her. The book alternates between what is really occurring to Nour and her refugee family and this ancient story. At the beginning of the section for each country through which they travel, there is a touching and beautifully written poem in the shape of the map of that country. The poem for Jordan/Egypt is printed below.
writingontherim 