The characters in the eight stories of this collection are people touched by violence of one sort or another, reflective of the violence that has occurred in Colombia’s history. A photographer’s obsession for a woman with a traumatic past, a writer’s fascination with the history of a woman whose grave is outside the official cemetery, two people whose own personal shared histories meet at a grandiose ceremony pretending they do not know each other–are examples of all the tales of complexity found in life and how morals change over time. These are not stories for the faint of heart. They do reveal how traditions of the past harmed people in ways that do not occur today, how lies can catch up with the liar, and how often pretending to be someone you are not often fails.
Given the nature of the previous book I read by this author and this novel, I have come to the conclusion that she likes to create seriously disturbed, dysfunctional characters. The setting helps with the “mystery”–a somewhat remote island which really is not an island except when the tide comes in. Only one house with only one inhabitant, a steep wooded slope that ends in a rock outcrop with a long plunge to the sea, the disappearance twenty years before of the philandering husband of the famous artist who lived there, and now a lonely, strange, old woman living there alone add to the atmosphere. The relationships among several other characters reveal the continued class structure of British society, its effects. and add to the unsettling nature of the story. To top it all off, a gruesome discovery is made about an art exhibit of the deceased, famous artist who once lived on the island. Although not classified as a mystery, this really is several bizarre mysteries combined. If you like British stories, art, and mystery novels, you will like this novel.
Imagine a society where everyone has shelter and love.
My 15th book of the year was “Imagination, A Manifesto”, Ruha Benjamin. After going over the history of racism, poverty, and misogyny in the US, the author, a professor at Princeton, details various ways individuals and groups can imagine and act toward creating a better world for all. She delineates the endless obstacles to attaining this better world but claims through collectively imagining detailed ways the world can be better, people can work together to attain such a world. She admits individuals rarely have the power to do this alone but working with others, we can make dramatic differences, but first we have to imagine what this better world will look like. We now are prisoners of hierarchies, exploitation, and frequent violence, but it does not have to be this way. The Appendix includes Discussion Prompts, Project Based Prompts, and Speculative Prompts to help readers get started imagining differently. She quotes Toni Morrison–“Dream a little before you think.”
This is one of the most heart wrenching books I have ever read. As a child, the main character, David Winkler, discovers he possesses the ability of premonition via dreams that come true. Only his mother understands him; unfortunately she dies while he is still young, leaving him with father who is only physically there. He becomes an hydrologist, specializing in the structure of snowflakes, leading a rather lonely life as a weatherman in Alaska. While at the grocery store, he meets a woman. He knows what she is going to do before she does it. Eventually, they develop a relationship. The remainder of the novel details the consequences of their relationship and their having a child, Grace. David dreams that he will not be able to save Grace from flood waters, his wife thinks he is crazy, and then to avoid what he perceives will be Grace’s fate if he stays, he disappears. Eventually, he arrives hungry and destitute on a Caribbean island where he is taken in by a kind family who have escaped imprisonment in Chili during the military dictatorship there. He agonizes over whether his running away saved Grace and is unable to find out what happened to her. Eventually he saves up enough money to search even though he has no idea where she might be or how she will react of he finds her alive. Will her mother forgive him, will Grace if he finds her? He is driven to find out no matter the consequences.
This novel’s main themes include love, longing, forgiveness, the meaning of friendship, and the human search for grace.
Note: I have now read everything published by Anthony Doerr. His works contain beautiful prose and detailed descriptions. One of the most impressive things about his work is the amount of research required to write in such great detail about so many subjects, e.g. structure of snow flakes, the anatomy of different types of shells, the history of the city now called Istanbul and its ancient neighborhoods.
This Omani author has won prizes for his fiction. Only a few of his books have been translated into English. This one takes the reader into the remote villages and mountain regions of the interior of Oman. Azzan, the main character, had received highest honors as a child and teen for his academic excellence but fails to win a coveted scholarship to travel abroad for college. His father, who is mainly absent during his growing up, berates him, and Azzan turns to alcohol and addiction. Eventually, he saves himself by becoming a beekeeper. He finds solace in the more remote, wild regions rather than the narrow confines of village life which is controlled by gossip and tradition.
In these wild areas he meets two other men. Although they do not keep domestic bees, they go camping together in the far mountain areas hunting for the prized honey from wild bees. One of these men is a Bedouin who trains prized racing camels. Through him and his wife and friends, he learns how much freer Bedouin culture is compared to that of the settled villages. He learns to dance and talk more freely with women. While in one remote area, he meets a woman, Thamna, who too has escaped the traditional village life and roams the wadis and mountains with her herd of goats always looking for better pasture. He becomes obsessed with her, always on the outlook as he keeps his bees and roams the interior of Oman hunting bees.
This story is not only about Azzan, but also his friends, traditional Omani village life, bee culture, and Bedouin life. For those interested in bee keeping, the author provides detailed descriptions of bee keeping. The language is poetic and infinitely descriptive. I could feel the wind, smell the different wild flowers and the taste of the honey created from them, see the Bedouin dancing, and feel Azzan’s heartbreak when disaster hits.
Although this novel describes a culture far different from that of the US and Europe, I found some things not all that dissimilar: the strict rules of small town life, the greater freedom found in nature, how people develop and lose interpersonal relationships. The language used makes the reader feel there in the moment being described. Plus I learned that bee keeping is very labor intensive and wrought with many things that can go wrong. I eat honey daily and now will have a greater appreciation of what goes into its production and harvesting.
Can you call yourself a creative writer if you have not written a word in months? I have a friend who promotes 20 minutes of writing per day, telling people to just write, forget quality, just write. Really?! I care about quality. Perhaps too much? I make sure to read quality writing 99.99% of the time. Is this just words I am writing here or is it quality or garbage? You tell me!
One thing I can do is read. I’m good at reading. And singing. And gardening. I talk to plants; that’s why they grow for me. I truly care. They bring me peace and joy.
In the last two months, I’ve read three collections of short stories, two by Anthony Doerr and one by Gayle Jones. Normally, I am not a short story reader, but here I am reading these. Talk about different. It’s almost like these two famous writers inhabit different planets. Doerr’s stories seem intensely emotional, often a bit fantastical and heart wrenching with a lush, descriptive, poetic style even though Doerr is not a published poet. Jones is a published poet, yet her stories are blunt, conversational, often first person and sometimes short–one page short.
In many, a character is telling his or her (most of the stories are her) story about where they are, some experience, somebody they knew, what they did or said. In one story the narrator says she’s an angel, explains where she’s been, whom she’s known, and ends up by asking readers if they’ve seen her near the Seine. I doubt anyone mistakes me for an angel.
Note: Book 13 for 2025 is “Butter”, Gayle Jones. A collection of short stories.
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