Breezes caress
Scents of jasmine, roses
Rainbow colors







These are growing on a large rock.





As a summer person, I’m less excited than others I know to see it end. This abecedarian poem allowed me to experiment with words without searching for profound meanings, allowed me to play.
Autumn
brings
chills
dreary
evenings
fog.
Gone
heat
intense
joy.
Kindness
lingers while I
meander
near
oceans
playing
quickly,
running in
sunshine.
Tomorrow
under a
vanishing
wind in a
xeroscape
yard, I will
Zoom my next meeting.


Rainy Day
sheets of rain against the kitchen window
heavy fog hides mountain peaks
scarlet hibiscus and bougainvillea brighten
a gloomy day
Dusk
The wind died; stillness pervades.
A distant train whistle interrupts.
Tiny brown bird chirps its chitty song.
Mountains display navy blue and purple.
The western sky becomes cantaloupe color.

Fearless little bird with chocolate brown head runs beside me
on the road. At the intersection I circle to the left, following
a familiar route. The heavy tree canopy here always astonishes.
It’s almost like walking in a forest.
The architectural variety amazes: mid-century modern, Spanish,
colonial, ranch, the smallest I am guessing contains 3500 sq. ft. One
house encompasses an entire city block, fronted with heavy, high
fences and metal gates. Privacy obsessed.
I’m watching my time. I don’t want to be late for singing
practice. I take a new route, perhaps a shortcut. It’s
120 degrees of a circle. Not quite a regular street,
not quite an alley, a combination–fronts of a few houses
and the backside of others. At one place it angles more;
I come to a three story stone fortress with intricate
geometrical designs vertically running up and down
the walls. No windows. A sign says, “No trespassing.”
Realization hits me. This is the other side of a house
I saw last year through a gap in a wall on another street.
Three ladies, strangers, asked me about it, told me they’d
heard it was the creation of a famous architect. I researched,
asked others, no one knew. Back then, I tried to find the front,
failed. Now I’m looking at it, wonderstruck. It appears abandoned,
an architectural wonder belonging to another time and place.

Time to rush, a bit lost, I look at my phone map, finish the loop,
find a familiar street, walk faster. Then I see a large, white, colonial house,
weeds knee high, black shutters hanging askew. Here it is abandoned
in the midst of multi-million dollar houses. I wonder what the neighbors
think. Walking on I hear water rushing, peer through the hedges–a stream
runs downhill from the side of this huge brown house at least 100 feet
and gurgles in a pool behind the bushes. Hurrying, I stop in front of one
of my favorite houses, a one-story, tan, Spanish style, small compared
to the others nearby. I take a photo of the tree in front by the sidewalk,
its impressive girth impossible to ignore.

Finally, I’m near my destination, walking in front of The Gamble House,
a tourist destination made famous by the movie, “Back to the Future”,
a structure I see at least twice a week.

They tell writers, “Never ever use cliches.”
Sometimes I question that. When you
word a cliche, nearly everyone knows
exactly what you mean. For example:
This is a perfect spring day:
-birdsong wafting here and there,
mostly mockingbirds except for those
irredescent, orange-throated
hummingbirds at their feeder
-wind singing through the pines
-open windows for a change; it’s
75 degrees and sunny
-magenta and scarlet bougainvillea
climbing the garden wall
-white and lavender lantana
outdoing themselves with
spread and bloom
-geraniums in full flower
-mint growing so fast and tall
I already need to trim it.
I lounge on the patio reading
another novel, drinking rosewater
lassi, munching mixed nuts.
I feel gratitude for this
perfect spring day.

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