Hope is the delusion of the oppressed.
It is buzzards watching, waiting in the trees,
laughing.

Taste the honey on your tongue
avocado, dark brown
clover, golden
so many shades, textures
sweetness
pleasure
Feel the breeze caress your cheeks
bringing scents
honeysuckle
lilacs
peach blossoms
pleasure
Touch the silken fabric of your scarf
wind softness around you
midnight and snow
rainbows
desert sunsets
pleasure
Listen to the birds outside your window
mockingbird love songs
a rapture’s scream
the whir of hummingbird wings
emerald, indigo, grey
pleasure
Look at flowers blooming everywhere
crimson bougainvillea
roses, sunshine colors
pale pink, vermillion
beauty
pleasure
Sing a song of Gratitude

I am a bit behind so decided to share three poems I wrote more than ten years ago about my favorite animal obsession, pumas. These poems were first published in my poetry memoir, On the Rim of Wonder, which is available on Amazon and Barnes and Noble.
I
My neighbor walked out her door
found a puma lying in the lawn.
Puma rose, stretched, disappeared.
At night when I open my gate
I wonder if she lurks
behind the cedar trees,
Pounce ready.
My daughter dreams puma dreams:
a puma chases her up a tree.
There are no trees here big enough to climb.
A Zuni puma fetish guards my sleep.
I run with puma
Night wild
Free.
I scream and howl
Moonstruck
Bloodborn.
I hike the canyon,
stroll around my house,
look for puma tracks.
I see none.
I would rather die by puma
than in a car wreck.
II
I watch for eyes, blue changing to amber and back.
I put my palm, fingers stretched to measure, into the footprint.
Too small, bobcat.
No puma.
My thin body squeezes between the rocks,
climbing quietly down the cliff.
Watching, listening, searching.
No puma.
Pale amber rushes across my vision line.
My heart quakes.
I watch; I wait.
It is Isabella, a golden whir chasing rabbits.
No puma.
At sunrise, I walk the rim,
watching.
At sunset, I walk the rim,
waiting.
At night, I walk the rim,
dreaming.
No puma, not yet.
III
I want
to walk
with you
in my dreams
scream your screams
feel your blood
rushing
your heartbeat
mine
soft golden fur
wound in my hair
your amber eyes
glowing
through my brown
death defying
together walking
moonlit
wild
free

Note: My puma obsession continues. This painting and several others of pumas hang in my house. I now have two puma Zuni fetishes. I hike in the mountains hoping to see one in the wild.
Can you call yourself a creative writer if you have not written a word in months? I have a friend who promotes 20 minutes of writing per day, telling people to just write, forget quality, just write. Really?! I care about quality. Perhaps too much? I make sure to read quality writing 99.99% of the time. Is this just words I am writing here or is it quality or garbage? You tell me!
One thing I can do is read. I’m good at reading. And singing. And gardening. I talk to plants; that’s why they grow for me. I truly care. They bring me peace and joy.
In the last two months, I’ve read three collections of short stories, two by Anthony Doerr and one by Gayle Jones. Normally, I am not a short story reader, but here I am reading these. Talk about different. It’s almost like these two famous writers inhabit different planets. Doerr’s stories seem intensely emotional, often a bit fantastical and heart wrenching with a lush, descriptive, poetic style even though Doerr is not a published poet. Jones is a published poet, yet her stories are blunt, conversational, often first person and sometimes short–one page short.
In many, a character is telling his or her (most of the stories are her) story about where they are, some experience, somebody they knew, what they did or said. In one story the narrator says she’s an angel, explains where she’s been, whom she’s known, and ends up by asking readers if they’ve seen her near the Seine. I doubt anyone mistakes me for an angel.

Note: Book 13 for 2025 is “Butter”, Gayle Jones. A collection of short stories.
A tiny book by the author of “Braiding Sweetgrass” envisions a totally different economy than the kind we have now. She uses a plant, the serviceberry, as a symbol for what she calls the “gift” economy. Instead of everything being focused on maximizing profit, it focuses on sharing and exchange and the idea that natural resources are gifts from Earth, from nature, rather than commodities to be exploited for profit.
She notes that capitalist economies hinge on the concept of scarcity and personal accumulation of wealth often at the expense of others. Gift economies, which occur in many indigenous cultures, focus on the mutual benefit of all which encourages gratitude and trust. Later in the book, she discusses how gift economies can be implemented and flourish alongside the current capitalist economy.
There must be considerable appeal for her concepts because this book has been on the non-fiction best seller list for weeks.

If you have ever felt enchanted by a trip to Rome, you will find this memoir delightful and informative. It made me want to return just to stay a while, wander around, visit the more obscure places Doerr describes, people watch, eat, and drink local wine.
In 2007, Anthony Doerr, the 2015 Pulitzer Price Winner, won the Rome Prize to become a fellow at the American Academy in Rome. He and his wife, Shauna, moved to Rome with their newborn twins, Owen and Henry. This memoir memorializes the four seasons they spent living there. They learn to care for babies; wander throughout Rome visiting tourist sites, local restaurants, the butcher, the baker, the toy store; learn enough Italian to acknowledge all the Italians who stop to admire the babies; and attend the vigil for the dying Pope John Paul II.
While there intending to write his later novel (the one that eventually won the Pulitzer) and failing to do so, he does manage to write a short story which I have read in one of his collections and to read everything by Pliny the Elder. His discussions about his readings makes me want to read some of Pliny the Elder myself. As in his short stories and novels, Doerr’s descriptions, language, and observations delight and enchant. This is a wondrous book about one of the world’s oldest and most fascinating cities which he calls, “a Metropolitan Museum of Art the size of Manhattan with no roof, no display cases…

I.
Why
and
What
draws me
to
witches
herbal secrets
moonlight
night riding
ancient ruins
and
archaic codes.
It is the Goddess blood I carry,
remembrance of a past
when women ruled
when peace reigned
and ALL were healed.
II.
Woman, wondrous, wild
daughter of the moon,
mysterious, magnificent
fierce secret keeper
guardian of the universal key.

Note: These poems were originally published in my book of poetry, “On the Rim of Wonder”, available online at Barnes and Noble and Amazon.
While his previous novel, Book Seven for the year, focused on map making, what it is like to be a refugee, and the stories of two, strong girls centuries apart, one of this novel’s main focus is birds. One narrator, at first no name and then later Nadir, relates part of the novel. His mother was an ornithologist who died in a tragic fire. Her ghost often speaks to him. The other main character, Laila, was a famous artist, an illustrator and painter of birds who mysteriously disappeared decades ago. She and a Black ornithologist insisted they had seen a new species of ibis, and she is supposed to have made drawings and paintings of this rare bird but all evidence disappeared with her.
This is also the story of various non-cisgender characters, some of whom hid their true identities from even those closest to them. Additionally, it is the tale of the lives of Syrian Americans in a NYC neighborhood, plus its destruction and renewal. As in his previous novel, the language and descriptions are poetic, often haunting, and sometimes heartbreaking. It also illustrates how our lives are often interrelated even when we are unaware, only to be discovered after years of searching.
I am guessing that the novel is at least somewhat autobiographical given that Nadir, born a girl, knows inside that he is really a boy. Between this novel and the first one, the author transitions from female to male.
Both books are beautifully written and I highly recommend reading them.

After reading his other collection of short stories, I ordered this one which is an earlier collection. Once again, he does not disappoint. One of the stories, “The Hunter’s Wife” won the O’Henry Award and has to be one of those most touching and unusual stories I have ever read. One main character, the man who makes his living guiding hunting parties in Montana, becomes obsessed with a young woman he sees in a magic show and follows her everywhere. When he first meets her, she is underage and he does nothing. Later when she is older he relentlessly pursues and marries her. After years of enduring the hardships of living in a remote cabin in the mountains, she leaves. She has always possessed the ability to feel the emotions of both other humans and animals and begins to make her living using this ability to help people. After never seeing her for twenty years, the hunter comes to one of her events. The story details the years between their first meeting and what happens when the hunter attends this event.
The title story, “The Shell Collector”, details the life of a blind expert on certain kinds of sea shells and the marine life that inhabit them, some of which are poisonous. He moves to a remote Pacific island, becomes familiar to those who live there. After a local child becomes ill and her father thinks the shell collector saves her, his peaceful life as he has known it becomes totally upended.
All the stories are notable but another one I found fascinating is “Mkondo”. The main character, Ward Beach, works for a natural history museum and goes to Tanzania to study and collect specimens. While there, he becomes fascinated with a young woman he sees rapidly running through the forest. The rest of the story details his pursuit, their life together, their separate lives, and questions the meaning of what is considered success in life.
I generally am not a short story reader but Doerr’s stories are unique, insightful, touching, and carry a sort of magic not found in many novels or stories.

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