I follow Carol Christ for a variety of reasons including her words often make me think about ideas, concepts, controversies in new ways.
The concept of divine omnipotence is the ultimate expression of male dominance as control. Divine omnipotence is the view that everything that happens in the world happens according to the will of a divinity, who is in control of everything that happens in the world. When someone dies or great suffering occurs, we are told, “everything happens for a purpose,” “it was meant to be,” or “everything happens according to the will of God—or Goddess.” In our recent book Goddess and God in the World, Judith Plaskow and I criticize and reject this view on both rational and moral grounds.
The doctrine of divine omnipotence is widely assumed, not only in Christian theologies, but in Islam and to a lesser extent in Judaism. Moreover, it is also to be found in western metaphysical and mystery traditions and in the many New Age and Goddess theologies based upon them. Thus…
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Although “the” Ramayana is a fluid narrative, scholarship has traditionally recognized the Sanskrit Valmiki Ramayana as the most authoritative of Ramayanas. But recent studies have brought to light the hundreds of regional stories of Rama and Sita which are more popular with the masses. These would include Krittibasa’s Ramayana in Bengal, Kamban’s Tamil Iramavataram in South India, notably in the state of Tamil Nadu, Tulsidas’s Ramcharitamanas among the Hindi-speaking belt of northern India, and so on. But even here, a pattern seems to emerge; all the above-mentioned authors are male. Within this scenario, a rather unique text stands out, and that is Chandravati’s sixteenth century Bengali Ramayana, for its author was a woman. Even more fascinating is the double-toned nature of the narrative – through Chandravati’s own voice and through the voice of its tragic heroine, Sita.