The characters in the eight stories of this collection are people touched by violence of one sort or another, reflective of the violence that has occurred in Colombia’s history. A photographer’s obsession for a woman with a traumatic past, a writer’s fascination with the history of a woman whose grave is outside the official cemetery, two people whose own personal shared histories meet at a grandiose ceremony pretending they do not know each other–are examples of all the tales of complexity found in life and how morals change over time. These are not stories for the faint of heart. They do reveal how traditions of the past harmed people in ways that do not occur today, how lies can catch up with the liar, and how often pretending to be someone you are not often fails.
Barbara Lewis Duke, pretty, petite, blue-eyed and blond, my
mother, one fearless, controlling woman. Long after Mom’s
death, Dad said, “Barbara was afraid of absolutely on one
and nothing.” They married late, 34 & 38. He adored her
unconditionally. She filled my life with horses, music, love,
cornfields, hay rides, books, and ambition. Whatever she felt she
had missed, my sister and I were going to possess: books,
piano lessons, a college education. Her father, who died long
before I was born, loved fancy, fast horses. So did she. During
my preschool, croupy years, she quieted my hysterical night
coughing with stories of run away horses pulling her in a wagon.
With less than one hundred pounds and lots of determination,
she stopped them, a tiny Barbie Doll flying across the Missouri
River Bottom, strong, willful, free.
Note: This was first published in an anthology and later in my poetry memoir, “On the Rim of Wonder.” My mom loved the color pink and roses, had a rose garden. In the summer there were always crystal bowls on the dining table with roses floating. Today I have roses floating in two stemmed crystal bowls in my kitchen.
Given the nature of the previous book I read by this author and this novel, I have come to the conclusion that she likes to create seriously disturbed, dysfunctional characters. The setting helps with the “mystery”–a somewhat remote island which really is not an island except when the tide comes in. Only one house with only one inhabitant, a steep wooded slope that ends in a rock outcrop with a long plunge to the sea, the disappearance twenty years before of the philandering husband of the famous artist who lived there, and now a lonely, strange, old woman living there alone add to the atmosphere. The relationships among several other characters reveal the continued class structure of British society, its effects. and add to the unsettling nature of the story. To top it all off, a gruesome discovery is made about an art exhibit of the deceased, famous artist who once lived on the island. Although not classified as a mystery, this really is several bizarre mysteries combined. If you like British stories, art, and mystery novels, you will like this novel.
Last year I read her novel “Gilead” which takes place in fictional, small, Iowa town in which the main character is the father of the main character in this novel, “Jack”. John Ames Boughton, Jack, is the wayward son of a Presbyterian minister. Previously, he has been wrongly imprisoned for a theft he did not commit. He loves literature, especially poetry. He lives off of odd jobs, drinks too much, smokes, and is somewhat of a lost soul who continuously philosophizes about live, religion, and societal rules. One day he sees a woman walking in the rain. When she drops her bundles on the sidewalk, he helps her. She thinks he is a preacher because of the way he is dressed and invites him in for tea. She is Della Miles, a teacher and the daughter of a Black Methodist minister. This is the story of interracial love when it was still illegal in the US, the lengths they go to resist and hide it, and the reactions of her family. Reading this, one realizes how it was not that long ago that most of the US was not only segregated, but sometimes even talking to someone on the sidewalk from another race could get a person into trouble with the police.
Imagine a society where everyone has shelter and love.
My 15th book of the year was “Imagination, A Manifesto”, Ruha Benjamin. After going over the history of racism, poverty, and misogyny in the US, the author, a professor at Princeton, details various ways individuals and groups can imagine and act toward creating a better world for all. She delineates the endless obstacles to attaining this better world but claims through collectively imagining detailed ways the world can be better, people can work together to attain such a world. She admits individuals rarely have the power to do this alone but working with others, we can make dramatic differences, but first we have to imagine what this better world will look like. We now are prisoners of hierarchies, exploitation, and frequent violence, but it does not have to be this way. The Appendix includes Discussion Prompts, Project Based Prompts, and Speculative Prompts to help readers get started imagining differently. She quotes Toni Morrison–“Dream a little before you think.”
This is one of the most heart wrenching books I have ever read. As a child, the main character, David Winkler, discovers he possesses the ability of premonition via dreams that come true. Only his mother understands him; unfortunately she dies while he is still young, leaving him with father who is only physically there. He becomes an hydrologist, specializing in the structure of snowflakes, leading a rather lonely life as a weatherman in Alaska. While at the grocery store, he meets a woman. He knows what she is going to do before she does it. Eventually, they develop a relationship. The remainder of the novel details the consequences of their relationship and their having a child, Grace. David dreams that he will not be able to save Grace from flood waters, his wife thinks he is crazy, and then to avoid what he perceives will be Grace’s fate if he stays, he disappears. Eventually, he arrives hungry and destitute on a Caribbean island where he is taken in by a kind family who have escaped imprisonment in Chili during the military dictatorship there. He agonizes over whether his running away saved Grace and is unable to find out what happened to her. Eventually he saves up enough money to search even though he has no idea where she might be or how she will react of he finds her alive. Will her mother forgive him, will Grace if he finds her? He is driven to find out no matter the consequences.
This novel’s main themes include love, longing, forgiveness, the meaning of friendship, and the human search for grace.
Note: I have now read everything published by Anthony Doerr. His works contain beautiful prose and detailed descriptions. One of the most impressive things about his work is the amount of research required to write in such great detail about so many subjects, e.g. structure of snow flakes, the anatomy of different types of shells, the history of the city now called Istanbul and its ancient neighborhoods.
This Omani author has won prizes for his fiction. Only a few of his books have been translated into English. This one takes the reader into the remote villages and mountain regions of the interior of Oman. Azzan, the main character, had received highest honors as a child and teen for his academic excellence but fails to win a coveted scholarship to travel abroad for college. His father, who is mainly absent during his growing up, berates him, and Azzan turns to alcohol and addiction. Eventually, he saves himself by becoming a beekeeper. He finds solace in the more remote, wild regions rather than the narrow confines of village life which is controlled by gossip and tradition.
In these wild areas he meets two other men. Although they do not keep domestic bees, they go camping together in the far mountain areas hunting for the prized honey from wild bees. One of these men is a Bedouin who trains prized racing camels. Through him and his wife and friends, he learns how much freer Bedouin culture is compared to that of the settled villages. He learns to dance and talk more freely with women. While in one remote area, he meets a woman, Thamna, who too has escaped the traditional village life and roams the wadis and mountains with her herd of goats always looking for better pasture. He becomes obsessed with her, always on the outlook as he keeps his bees and roams the interior of Oman hunting bees.
This story is not only about Azzan, but also his friends, traditional Omani village life, bee culture, and Bedouin life. For those interested in bee keeping, the author provides detailed descriptions of bee keeping. The language is poetic and infinitely descriptive. I could feel the wind, smell the different wild flowers and the taste of the honey created from them, see the Bedouin dancing, and feel Azzan’s heartbreak when disaster hits.
Although this novel describes a culture far different from that of the US and Europe, I found some things not all that dissimilar: the strict rules of small town life, the greater freedom found in nature, how people develop and lose interpersonal relationships. The language used makes the reader feel there in the moment being described. Plus I learned that bee keeping is very labor intensive and wrought with many things that can go wrong. I eat honey daily and now will have a greater appreciation of what goes into its production and harvesting.
I am a bit behind so decided to share three poems I wrote more than ten years ago about my favorite animal obsession, pumas. These poems were first published in my poetry memoir, On the Rim of Wonder, which is available on Amazon and Barnes and Noble.
I
My neighbor walked out her door
found a puma lying in the lawn.
Puma rose, stretched, disappeared.
At night when I open my gate
I wonder if she lurks
behind the cedar trees,
Pounce ready.
My daughter dreams puma dreams:
a puma chases her up a tree.
There are no trees here big enough to climb.
A Zuni puma fetish guards my sleep.
I run with puma
Night wild
Free.
I scream and howl
Moonstruck
Bloodborn.
I hike the canyon,
stroll around my house,
look for puma tracks.
I see none.
I would rather die by puma
than in a car wreck.
II
I watch for eyes, blue changing to amber and back.
I put my palm, fingers stretched to measure, into the footprint.
Too small, bobcat.
No puma.
My thin body squeezes between the rocks,
climbing quietly down the cliff.
Watching, listening, searching.
No puma.
Pale amber rushes across my vision line.
My heart quakes.
I watch; I wait.
It is Isabella, a golden whir chasing rabbits.
No puma.
At sunrise, I walk the rim,
watching.
At sunset, I walk the rim,
waiting.
At night, I walk the rim,
dreaming.
No puma, not yet.
III
I want
to walk
with you
in my dreams
scream your screams
feel your blood
rushing
your heartbeat
mine
soft golden fur
wound in my hair
your amber eyes
glowing
through my brown
death defying
together walking
moonlit
wild
free
Note: My puma obsession continues. This painting and several others of pumas hang in my house. I now have two puma Zuni fetishes. I hike in the mountains hoping to see one in the wild.
writingontherim 