roses
rainbow colors
joy






Fearless little bird with chocolate brown head runs beside me
on the road. At the intersection I circle to the left, following
a familiar route. The heavy tree canopy here always astonishes.
It’s almost like walking in a forest.
The architectural variety amazes: mid-century modern, Spanish,
colonial, ranch, the smallest I am guessing contains 3500 sq. ft. One
house encompasses an entire city block, fronted with heavy, high
fences and metal gates. Privacy obsessed.
I’m watching my time. I don’t want to be late for singing
practice. I take a new route, perhaps a shortcut. It’s
120 degrees of a circle. Not quite a regular street,
not quite an alley, a combination–fronts of a few houses
and the backside of others. At one place it angles more;
I come to a three story stone fortress with intricate
geometrical designs vertically running up and down
the walls. No windows. A sign says, “No trespassing.”
Realization hits me. This is the other side of a house
I saw last year through a gap in a wall on another street.
Three ladies, strangers, asked me about it, told me they’d
heard it was the creation of a famous architect. I researched,
asked others, no one knew. Back then, I tried to find the front,
failed. Now I’m looking at it, wonderstruck. It appears abandoned,
an architectural wonder belonging to another time and place.

Time to rush, a bit lost, I look at my phone map, finish the loop,
find a familiar street, walk faster. Then I see a large, white, colonial house,
weeds knee high, black shutters hanging askew. Here it is abandoned
in the midst of multi-million dollar houses. I wonder what the neighbors
think. Walking on I hear water rushing, peer through the hedges–a stream
runs downhill from the side of this huge brown house at least 100 feet
and gurgles in a pool behind the bushes. Hurrying, I stop in front of one
of my favorite houses, a one-story, tan, Spanish style, small compared
to the others nearby. I take a photo of the tree in front by the sidewalk,
its impressive girth impossible to ignore.

Finally, I’m near my destination, walking in front of The Gamble House,
a tourist destination made famous by the movie, “Back to the Future”,
a structure I see at least twice a week.

I started out thinking I would write a poem per day for National Poetry Month. Well, I’m a bit behind on that, but here are two of several I have written so far.
Spring
The mockingbird awakens me with his song.
A hummingbird, dressed in green with an iridescent
orange collar, flits by my head then sips nectar
from a scarlet bougainvillea blossom.
The neighborhood barn owl hoots at dawn and dusk.
A black and red/orange bird I’ve never seen before
lights on a palo verde limb.
A Western Bluebird dips its beak repeatedly in
the talavera birdbath.

Remember
In this world steeped in senseless violence remember
each day to find a piece of beauty:
-rosebuds opening
-the scent of jasmine
-a friend’s smile
-a bit of birdsong
In this world ravaged by wars remember
each day to find the jewels of joy:
-listen to a child’s laughter
-dance to a favorite song
-walk in the morning sunshine
-tell someone you love them

He’s very good at wooing:
gifts–chocolate cherries,
red roses, delicate lingerie,
I love you.
He wears his mask well,
keeps calm, a handsome spider,
weaving a silken web.
She laughs, tells her friends
just how very special she’s
sure he is.
He wears this mask for months,
finds them the perfect apartment,
swimming pool, gym, marble,
granite, luxury appliances.
She’s sure he loves her:
the gifts, the perfect apartment,
fancy restaurants, luxury weekends.
She’s late, heavy traffic, an
emergency at work. He
screams, wants to know
why; no explanation matters.
He hits her for the first time, her
torso, knocks her down.
Tomorrow 24 red roses
arrive at work. He begs
forgiveness. She’s sure
he’s sorry; it won’t happen
again.
Two months later, she’s
late again. Real reasons he
does not want to hear. He
screams, he hits, he knocks
her down.
She dreads red roses.

Note: This is part of my writing a poem per day for National Poetry Month. Regarding this poem, 34% of female homicides are women who have been killed by intimate male partners. Often when women kill a man attacking them, they are convicted of murder even when trying to defend themselves.
They tell writers, “Never ever use cliches.”
Sometimes I question that. When you
word a cliche, nearly everyone knows
exactly what you mean. For example:
This is a perfect spring day:
-birdsong wafting here and there,
mostly mockingbirds except for those
irredescent, orange-throated
hummingbirds at their feeder
-wind singing through the pines
-open windows for a change; it’s
75 degrees and sunny
-magenta and scarlet bougainvillea
climbing the garden wall
-white and lavender lantana
outdoing themselves with
spread and bloom
-geraniums in full flower
-mint growing so fast and tall
I already need to trim it.
I lounge on the patio reading
another novel, drinking rosewater
lassi, munching mixed nuts.
I feel gratitude for this
perfect spring day.

Today is the first day of National Poetry Month. I am committing myself to write a poem a day. Here is the first one for the month.
Easter yesterday made me sad,
remembering children, grandson,
egg dying, egg hunting, family
together, laughter, joy.
Found photos of my family,
I, a child, dressed in Easter finery,
a family tradition. Dad bought us
corsages to wear every Easter,
pretty dresses in spring colors–
my favorite a pink dress trimmed
in scarlet, a unique combination
explained why I liked it so much,
felt special wearing it.
Today I wear pink and orange
together, admire the deep purple
and red bougainvillea, scarlet rosebuds,
snowy freeway daisies,
shining in the sun and wonder
will I live long enough to teach
a great grandchild to color
Easter eggs.

This past weekend I headed to Mexicali in Northern Baja to visit the town of San Felipe and see a new development about an hour south of there. San Felipe is a small fishing town of approximately 20,000 people where there are no fast food restaurants and no Starbucks. Excellent restaurants and good coffee can be found but not at the places mentioned above. They do not exist there. The town of San Felipe has a long boardwalk right along the Sea of Cortez with restaurants across the street. This past weekend they were holding a ceviche contest and fiesta on a cross street. This is shrimp season and the city is known for its shrimp. Unlike the Pacific side of Baja, there is no large commercial fishing allowed in this part of the Sea of Cortez because it contains many endangered fish and the place where whales come to mate. Locals can fish and you see smaller fishing and shrimp boats in the sea. Not only is the Sea of Cortez protected but so are the plants and animals in the desert. Certain plants, like ironwood trees, are ancient and rare. If you want to build a road, it has to be around them. Many other species are also protected.
Unlike the Pacific side of Baja, the water in San Felipe is safe to drink from the tap. It comes from an aquifer up in the mountains to the west.
We spent most of Sunday at the new green development (it is totally off grid) called Rancho Costa Verde. Solar is used for power and each house has a large underground water tank where water comes from an aquifer up in the mountains. This is a newer development so although many of the lots are already sold, except for beachfront, many houses are just now under construction.

This is a very modern beachfront property with marble floors and a glass wall facing the Sea of Cortez.

This photo is of the clubhouse and looking the opposite direction toward the mountains. Here I am standing on the roof of the house in the previous photo.

Here I am in front of the pool in front of the clubhouse facing the Sea of Cortez. The house in the first picture is on the left in the distance.
This is desert land where even though it can get hot in summer, the sea breeze keeps it relatively cool.

The plant on the right is ocotillo which is protected. If you are building a house and it is in the way, you have to move it elsewhere. You cannot just get rid of it.
Monday was a big adventure trying to cross the border. We arrived in Mexicali only to discover no busses could cross the border there so we had to take the highway to Tijuana and cross there. To do this you must cross a mountain pass. What a feat of engineering building this road must have been. It is quite incredible and as you climb higher and higher the views go on forever into the far distance. The following are photos I took from the bus window as we drove higher and higher.




These mountains are made of rocks of all sizes that are just stacked on top of each other. Here only these small blue-green plants seem to thrive.


In this photo you can see the highway where we had just traversed.




Here you can see how at this height the mountains are nothing but stacked rocks of all sizes.
After the summit as we went down toward the town of Tecate, it started to rain and it rained most of the way to Tijuana. The Pacific side of this part of Baja gets rain and it was lush green this time of year while the Sea of Cortex side is desert.
I do not recommend crossing at Tijuana in a large bus. Even though we had sent all our passport information in advance, they made the bus sit there for nearly an hour and wait. Meanwhile those on foot and in cars were just zooming along at a rather rapid pace. Then we had to get out of the bus with all our luggage and everything and wait more. I crossed the border (not in a bus) last April and it did not take long at all. I have heard that Tijuana is the busiest port of entry from one country to another in the world but have not verified that. It certainly was busy yesterday.
The author of this book, Guadelupe Rivera, is the daughter of Diego Rivera by the woman to whom he was married before he married Frida. Diego went on a trip to Russia and his then wife, the author’s mother, became attached to her previous boyfriend, the poet Jorge Cuesta. She and Diego divorced and then he married Frida. Eventually, the two couples became friendly and at one point they all lived in the same house.
Thirteen years after Diego married Frida, the author moved in with them. This book details her life living with Frida and her father, how Frida learned to cook, how she decorated the Blue House in Coyoacan, the fiestas, the food, the adventures. The book includes photos and recipes of Frida and Diego’s favorite foods, photos of the house, and places the author visited with Frida. It is also a story of many of Mexico’s famous people at the time.
I own several books about Frida but this one is the most revealing and intimate in many ways. If you like Mexican food and find the life and art of Frida and Diego of interest, read this book.
Note: It was also written by the journalist Pierre Marie-Colle with photos by Ignacio Urquiza.

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