An Afternoon at the Cheech Museum – 2


The second floor of the Cheech contains even more astonishing art including more multidimensional pieces except smaller than the giant one you see when you enter the building.

Depending where you stand in front, to either side, what you see is quite different. I kept thinking some old Flemish art or Hieronymus Bosch meets modern technology.

Much of the art makes a social or political statement especially about colonization, culture, poverty.

Some of the art is reminiscent of Mayan and Aztec calendars.

Hearts appear in many of the paintings.

And of course Frida.

This is a space ship with changing eyes. If you walk around the back there is a creature inside watching everything with monitors.

An Afternoon at the Cheech–1


Some of you may remember the comedy duo Cheech and Chong way back in the day. Cheech has spent his life collecting Chicano and Chicana art. This year he gave a lot of his art collection to open a new museum in Riverside, California. Earlier this week my grandson, his girlfriend and I went to visit the museum. Photos and videos are allowed without flash. The following is the first set of photos I took. Please note that you need to see this art for yourself. Photos do not do it justice. Much of it is multidimensional and looks very different depending on where the viewer stands.

This is what you see when you enter the door; it is two stories high and multidimensional. Look how different the next photo of it looks from this one.

Walk farther to the side and it looks totally different again.

This speaks for itself. Right now where I live the air is clean enough that unless it is foggy, I can see all the way to downtown LA 30 plus miles away.

All the art at this museum has a message; much of it illustrates the ills of society.

The influence of indigenous art, e.g. Aztec, Mayan, can be seem in much of the art and the statements the art makes.

The woman above and the woman below hang next to each other.

The Riverside Art Museum


On January 2, my grandson, D’mitri, his girlfriend, Landri, and I went to The Riverside Art Museum and the Cheech in Riverside, California. This post includes what we saw at this museum. Later I will share photos of the art at the Cheech.

All the art seen in these first photos is by this Turkish-Mexican American artist. Here she explains how and why she interweaves the various parts of her heritage.

The next gallery room contained hundreds of photos from the 1970s in LA and surrounding areas. Although LA certainly is not the perfect place, improvements since that time are evident in the photographs. Here is a photo about that exhibit.

The next gallery contained art of the Joshua trees. The paper used was made of Joshua trees.

The following photos were taken in a hallway above the patio garden and in a smaller adjoining gallery.

The title of this one is The Future.

The galleries are all arranged around this patio.

The Murals at Mendez High School


Every Wednesday I visit Mendez High School in Boyle Heights near downtown LA. I volunteer as a college counselor for College Match LA. The school is named after the couple who, in 1946, sued for equal education for Mexican children and won.

This is the couple and the school mascot is the jaguar.

This explains the ruling that gave Mexican children equal educational rights.

View of downtown from in front of the College Center area where students go to get help with college applications, learn from presentations by admissions officers from different colleges, and work on college and financial aid applications.

Thanks to the two guys sitting here chatting for giving me permission to take this photo.

When I asked who did the murals, I was told that students did them in conjunction with an art class several years ago.

Reception for the New Exhibit at The Getty


Monday evening I attended a private reception at The Getty for photographs taken by teens to reflect their reactions to the pandemic and the shut downs. This first photo explains the exhibit.

I was able to attend because Faith Mowoe invited me. She is my daughter’s cousin and teaches English at a high school here in California. Usually The Getty is closed on Monday. We arrived early hoping to be able to walk around a bit, but they did not allow anyone to enter until 5:30 so we strolled around the gardens near the parking lot. You cannot drive up to The Getty. You have to park in the parking area which costs 20 dollars and take a shuttle to The Getty which is otherwise free.

This and the next few photos were taken at the gardens near the parking lot.

The Getty sets on a hill overlooking portions of LA in all directions. The red on top of the mushroom like pillars in the this photo is bougainvillea.

The amount of stone in the buildings is huge. The Getty comprises several different buildings including several filled with art, others for research, and a theatre.

This photos shows one of the teen photographers. This one is from Ohio. The following photos illustrate the teens who were chosen out of the more than 1600 entries.

We briefly met the young lady in this photo. Many of the students who took the photos were present and honored by the sponsors of the exhibit.

After eating–the reception provided all sorts of delicious treats, wine, beer, water, and various others drinks–we strolled into the gardens.

Posters have been made from the teen photographs and will be available for purchase.

The Getty is astonishing. I was able to see only a tiny portion of it. Definitely a place to see if you come to Los Angeles.

The Boy From Honduras


My current writing endeavor is part of a challenge to write 20 minutes per day six days a week. The story I am going to relate now was written as part of that project. The brief introduction here was part of something I wrote the day before I wrote about the boy.

I watched “60 Minutes” on Sunday about German Jewish Americans who volunteered to go behind enemy lines before and after the end of WWII to either spy on or interrogate Nazis, often officers of higher rank. One of them related that he never met a Nazi who had any remorse for atrocities he had committed, who thought what they had done was wrong. How horrifying, to hate anyone, any group so much over religion, ethnicity, sexual preference, status, remains to a great degree beyond my comprehension. Although I may view people like the Nazis as my moral enemies, to hate anyone so much as to torture and murder them seems incomprehensible.

These views also affect my attitude toward immigration. People rarely leave their countries because they want to, they leave because they need or have to in order to survive. Often it is a matter of life or death. Now I will tell you about the boy from Honduras.

Short, straight black hair, obsidian eyes, skin the color of café con leche, he showed up at high school one day absent any knowledge of the English language. His brother, married to a US citizen, lived across the street from the high school secretary. The assistant principal brought him to me. By Texas state law he had to spend at least one period of the day with a certified ESL teacher, me. He came often even from his other classes because everything except Spanish class was in English. Written Spanish helped him only somewhat. In Honduras poor country students only attended school for a few years. The more advanced middle and high schools were in cities and required fees paid.

The counselor claimed he had not been to school at all. I knew better; he knew things that a kid only learns if he or she has gone to school. When I did not understand his Spanish, I asked him to write it down. It took me a while to figure out some of his written Spanish. He sounded it out and so instead of writing habla (h is silent in Spanish), he would write abla. When I really could not understand, I went to the Spanish teachers from Mexico; they could not always understand him either. One, who had travelled all over Mexico, said he spoke a dialect she had never heard. Over time, I learned he had started school at six, attended for four years, then went to work on a coffee plantation. He was 15 when I met him. After I showed him a photo of me picking coffee in Costa Rica, he became very excited.

His father had been murdered; his mother feared for his life so she sent him to his brother in the US. He was cheery, always smiling, played soccer at lunch with the other students, missed home. He told me his family was working with an immigration lawyer so occasionally he traveled to Dallas to meet the lawyer. Then one day he disappeared. We never saw him again. Later one of the Spanish teachers told me he had come, smuggled in a shipping container, had survived this for days. And now he was gone.

Students asked about him; we had no answers. Some who had ranted about illegal immigrants stopped ranting. It was someone they knew, liked, who had left with no answers. He was a kind, funny kid whom everyone liked. Is he in hiding? Is he safe? Is he alive? Who knows?

Fuerte


An “exercise” to write a poem about ones origins with the words I am from… inspired me to write this poem.

I am from the dark side of the moon, blood born, secretly shining.

Fuerte

I am from puma, stalking your memories, invading your minds,.

Fuerte

I am from Gottlieb, who left Swiss mountains 150 years ago at 18 to avoid

becoming a mercenary, moved to Missouri, created a farm. His cultivator

sets in my front garden.

Fuerte

I am from persons Gujarati, Bengali, Punjabi, who sailed seas, met strangers, loved.

Fuerte

I am from Esan, a Nigerian tribe about which I knew nothing until a DNA test revealed,

ancient, black, beautiful.

Fuerte

I am from Latin America, Colombian, Peruvian, Puerto Rican–wanderers, explorers.

Fuerte

I am from Slavic peoples. Byzantine, Macedonian, Alexander the Great.

Fuerte

I am from brave wandering ancestors–Asian, Latin, Toscani Italian, French, German, Swiss, Slavic, Iberian.

Fuerte

I am from J haploid group, people who left the northern Middle East 7000 years ago,

wandered, explored, populated Western Europe.

Fuerte

I am from farmers, Doyle and Barbara, who grew corn, wheat, soybeans, Hereford and Charolaise cattle

to whom I carried salt blocks as a child.

Fuerte

I am from Sacred Corn, the nourisher, singing on hot summers, growing.

Fuerte

I am from the sweet smell of Jasmine, Roses, Honeysuckle, winding up walls, overgrowing gardens,

giving people hope.

Fuerte

I am from lemons, figs, dates, pomegranates, golden, dark, red, tropical, lingering.

Fuerte

I am from Stars, universal child, born on sacred ground, singing infinite songs.

Fuerte

Reflections on Independence Day


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When I was a child, we lived on a farm where it rains around 40 inches annually.  On the Fourth of July, Dad always shot off a few Roman candles, and we had small firecrackers and sparklers, nothing fancy, just fun.  Even then I knew about the Declaration of Independence, revered its message.  Still do.

Now I live where it is hot and dry.  The neighbor’s fireworks display rivaled those found in cities–beautiful but dangerous in brown grass country.  I wonder if they give any thought to the history, to why anyone celebrates this day.

For the first time in the decades of my life, I did not celebrate Independence Day.  Why?

Born decades ago, I originally went to college in Virginia where I experienced the shock of real segregation; I had not grown up where it was like that. I was horrified, lasted only one semester, then transferred.  Later I attended a college which shut down in protest over the Viet Nam War, I supported The Civil Rights Movement, I helped create one of the first intercollegiate groups to advocate for abused women, and with an ethnically diverse group I taught diversity classes for teachers.

Now in 2020, I feel that even with all that hard, determined work, progress has been too limited.  It is as if I have been transported back to 40 years ago.  People need to learn from the history most do not even know:

-Cotton Mather, the leading intellectual and Puritan minister in the colonial era, actually helped butcher King Phillip (Metacomet) like an animal.  What did he do to deserve this?  He tried to save his Native people.  Cotton Mather later writes about tearing Metacomet’s jaw from his skull.

-In 1676, when poor whites joined enslaved Africans to rebel for a better life and decent living conditions, fighting for justice against the wealthy planters, those rich planters realized they had to get poor whites to hate Blacks.  They took land owned by Blacks and gave it to poor white people and then paid them to hunt down and abuse, even kill, people of African descent.

-Later, the same Cotton Mather mentioned above, learned from his slave that in Africa, Africans had been taking pus from a smallpox infected person and inoculating others with it to prevent smallpox from spreading.  He refused to believe any African  could be so smart even though he inoculated himself and his family after learning this.  Later, he wrote this about his African slave who had told him the story that may have saved his life: “…brokenly and blunderingly and like Idiots they tell the Story.”

-Of course, we all know that the intellectual giant, Thomas Jefferson, held the deed to the woman who would later bear him numerous children while he proclaimed those famous words that all people are created equal.

The history of racial and ethnic hatred goes back to the inception of this country.  It continues to poison progress and hope.  It never seems to end.  I am tired of it.  Enough is enough.

 

 

 

 

 

 

 

 

The World in One Room


 

Four jaguar heads stare at me,

Mexican, Costa Rican.

A third guards the mantel,

partially hidden in tropical plants,

attack ready, tail raised, jaws open,

teeth bared.

 

My feet rest on a coffee table

carved in Kashmir.  I look at the photo

of the young man whose family made it.

He took me home to meet his mom,

to the floating market.

Once peace reigned there.

Now I wonder if he is safe, alive.

 

The Hoop Dancer raises his arms,

the Acoma pot exudes ancient

black on white beauty, painted

by the tips of yucca stems.

The Thai Spirit House begs

to appease evil spirits.

I should put food and flowers there;

I never do.

 

Corn plant of life–for Navaho, Hopi,

me, painted, growing up my wall,

blue and red birds flitting through

the stalks, singing ancient songs.

Corn Maiden rug hanging on the wall;

an Isleta Pueblo girl won a contest

with its design.  Four Corn Maiden

Kachinas watch the room.

Corn everywhere–Sacred Corn.

 

Three Ethiopian crosses, St. George

and the Dragon, Frida Kahlo doll,

Argentinian Madonna, Tohono O’odham

baskets, a painted cow skull, Nigerian carved

wooden elephants, including a Chieftains chair,

the stained glass transom window from the house

where my dad lived from birth to ten.

 

In a room filled with windows, there

is little room for paintings, yet–

purple bison glide across the prairie,

an Iraqi woman flies through an azure

sky filled with dark blue birds,

a 15th century mystic, Kabir, tells

a tale in poetry, Navaho spirits,

pumas walking toward me–

my obsession.

 

Rugs scattered–Kerman,

an unknown Persian city, Afghani,

Egyptian, Indian, Zapotec, scraps of old

Turkish rugs sewn together.

 

In one cabinet, Grandmother’s china,

Mom’s Czech crystal–a wedding present

decades ago, Grandson’s painted art,

the silverware Dad gave Mom on their

first wedding anniversary,  Mom’s

everyday dishes–flowers blooming.

I use them every day.

 

These objects–a testament to who I am:

World wanderer, seeker, citizen.

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Summer Reading


IMG_3957Last year I joined Now Read This, the online bookclub sponsored by PBS and The New York Times.  Why did I join?  To expand my exposure to books I might not otherwise read, to learn, to explore, to interact with others reading the same books.

I rarely read fantasy or science fiction.  This summer has become an exception.  The June choice, The Fifth Season by Jemisin, won the Hugo in 2016.  The other two books in the trilogy won in 2017 and 2018.  I wanted to know what happened to the characters so I read them all.  The spine says Fantasy.  I think they are more science fiction.  Even people who claimed they did not like either fantasy or science fiction became like me and read them all.  This series tells a futuristic tale extremely applicable to events, both social and political, in the world today, how prejudice kills both overtly and covertly,  how fear of those who are different affect everyone, what it costs to live in a world where certain attitudes exist.

It took me two days to finish the July title even with chores, touchup house painting, all the things teachers attempt to do during summer break.  Although I had previously read at least three books by Luis Alberto Urrea, I had not read this one, The House of Broken Angels about a family who lives back and forth across the border–San Diego and Tijuana.  It is a tragic-comedy about the endurance, hopes, dreams, cooking, living of several generations.  His non-fiction book, The Devil’s Highway, is a must read for those who want to understand what occurs along the US-Mexico borderlands.

In the midst of all this, I went back and reread Ursula LeGuin’s The Left Hand of Darkness.  Wow, no wonder it caused a stir when it was published in the 1960s: a whole country where everyone switches back and forth between male and female and those who cannot do this are considered perverts.  Additionally, the main character is described as having very dark brown skin and those who do not behave exactly as they should or politically protest are sent off to a stark camp where they work in excessive cold and eventually die.

Then I read an article about Toni Morrison and authors who do not write for people based on a certain audience, e.g. black, white.  They write about what they know, what they feel, for a different purpose. One book listed was Children of Blood and Bone by Tomi Adeyemi, a fantasy, all of which takes place in what we now think of as Nigeria. It has not one single white character in it.  I kept thinking, wow.  I read a lot of literature from Africa, Middle East, and Latin America.  Most of the time, for better or worse, characters from other cultures show up, usually European and usually for the worse.  Not in this one.  If you go to a book store looking for it, look in Young Adult.  Jemisin’s can be found in Adult Science Fiction/Fantasy.  When I mentioned to someone I could not tell why some are categorized one way and some another, I was told there is less graphic sex in YA.  Really?  I cannot tell the difference.

Next on my list?  I annually act as a judge in a literary contest.  Three novels arrived in yesterday’s mail.  Guess I need to get busy.