A unique and sometimes frightening story with a surprising ending, this is another tale of the lengths to which people of color will go to pass for white to gain the benefits of whiteness. For one New England family this has succeeded quite well by sending a too dark daughter back South to live with relatives and never allowing her to come to the town where the rest of the family lives. It fails when a too dark child is born and the parents keep her with them. It is also a tale of gender identity and how rape and abuse can destroy and deform and of resilience in the face of endless obstacles. This is not an ordinary novel.
After her mother dies, Anna searches through her mother’s belongings and discovers a hidden diary written by the African father she never knew and about whom her white mother, who never married, told her nearly nothing. She travels to Scotland to have the diary authenticated by an expert, researches, and discovers her father had to return to Africa, became a revolutionary, and then president (or dictator, depending on the source) of a small African nation. She also learns that he is still alive.
Leaving behind a daughter and white husband from whom she is separated, Anna decides to travel to Africa to find her father. Treated unequally as a biracial child in England, in Africa she is seen as “obroni”, white. Thus, the book addresses issues of racial identity, family acceptance (she does find her father) and belonging, and tells a tale of the adventures of a middle-aged woman in search of self.
Winner of the National Book Award in 2012, and narrated by the 12-13 year old son of a tribal judge and a professional, tribal woman, this novel details the story of a family nearly destroyed by the brutal attack on the boy’s mother. Even after the identity of the attacker is known, he is set free because she will not tell or cannot recall where the attack occurred, whether on tribal land or just outside its boundary. This leads to the boy’s determined quest to obtain justice for his mother. This page turner perfectly illustrates the continual problem of justice for indigenous women who are 2-3 times more likely to be raped (and often killed in the process) than white women and with no one ever charged.
Given the seriousness of the novel, it is surprisingly funny at times with the antics of teen boys and other characters, including some colorful and interesting older tribal members and an ex-Marine priest. The reader will also learn a lot about Ojibwa culture. Once you start, you have to keep going in hopes that somehow justice will prevail in the end.
The first place we visited after breakfast was the art gallery/studio and home of Beliz Iristay. Although she does other things, her main medium is ceramics. I had first seen her art on display at the Riverside Museum back in December and posted some of that art in a previous blog. Originally from Turkey, she is married to a Mexican artist. The two met while both were teaching in Istanbul. She has lived also in the US and her artwork has been displayed in many places in the US. She and her husband live in the Valle de Guadelupe near Ensenada, Mexico.
Here are a few of the pieces I photographed in her gallery in Mexico.
Following is work that was on display at the Riverside, CA Art Museum until last week. The first tells a bit about her and why she produces the type of art she creates. At her studio she repeatedly emphasized that she sees herself as creating feminist art that makes statements about the plight of women throughout the world. At her studio she was creating some large pieces for a new commissioned display that supports what she sees as her feminist goals.
She frequently uses traditional adobe bricks from Mexico made locally where she lives and then transforms them into various works of art often combining the Mexican and the Turkish cultures.
Identity politics remains at the heart of this unusual novel. Written in three parts, One portrays a “love” affair between an Egyptian American woman who has gone to Cairo to find her Egyptian self and an unemployed, revolution (as in Arab Spring) photographer who alternates between living in a rooftop shack and homelessness. Each vignette starts with a question and alternates between the voice of the woman and the man, expressing their viewpoints on life, love, and their situation. Part Two is the same except without the “headline” question. Part Three is a big surprise–a discussion, written as a play, a critique of the rest of the novel among the author, an instructor, and several “students”.
I loved this book in part because it enabled me to learn a lot about Egyptian cultures, but also because I found it thought provoking and intriguing.
Winner of the 2021 Booker Prize, this novel illustrates the dismal consequences of colonialism and racism. South Africa before and after apartheid comes alive in this story about an Afrikaner family whose matriarch dies young enough to leave her husband with three children, only one of whom is old enough to be on his own. In her dying, she returns to her Jewish roots much to the horror of her husband and many others. Her youngest daughter overhears her dying wish which her husband promises to fulfill even though he has no intention of doing so. This remains an underlying thread, the promise which this daughter never forgets.
The difficult, often prejudiced and unequal, relations between the races underpins the actions of most of the characters, leading a few to greater humanity and kindness, but most into lives of loss, disappointment, and anger.
As an ardent reader who prefers what are usually referred to as literary novels and serious non-fiction, few books impact me deeply and emotionally like this one has. As soon as I finished it, I reread parts of it several times, then sat silently stunned.
After her family moves to North Africa for her father’s work, an 18 year old British girl, rescued by a Taureg leader, is believed dead by her family until she resurfaces years later at a Catholic “home” run by nuns in North Africa. She re-enters British society, marries, leads a relatively “normal” life while keeping a secret for decades. When she receives a telegram, “Abu is dead”, everything changes. Her past comes rushing back in unexpected ways.
This unusual novel features identical twin sisters, inseparable as children, living in a small town in rural Louisiana. The town’s founder, a light skinned Black man, insisted on maintaining a certain character for the town–only light skinned Black people should live there. At sixteen the sisters run away to New Orleans where they ultimately choose diametrically opposed lives, one passing as white, marrying a wealthy white man who knows nothing of her true past. In spite of the deception and lies, years later their lives become intertwined in unexpected ways. The novel not only addresses themes of race but also sexual identity and who we are as individuals and a country.
The Booker (previously Mann-Booker) Prize winner in 2022, this book is filled with gruesome events and dark, graveyard humor. Since if takes place in Sri Lanka, if you know little about Sri Lanka history in the last 50 years, you might want to do a quick review so you know about the civil unrest and the various Sri Lankan ethnicities, e.g. Tamil, Sinhalese, Burgher. Written from the viewpoint of the title character, a war photographer, after being murdered, he resides in a sort of celestial purgatory while he tries to save his two best friends and male lover who are still alive and discover the identity of his murderer. He is given seven moons in which to accomplish this task. Not a book for the faint of heart, it contains gruesome war and torture details but frequently is also quite funny and filled with “truths”. In an interview the author explained, “Sri Lankans specialize in gallows humor; it is our coping mechanism.” As I read, I underlined passages I found especially meaningful, profound, or fascinating. Here are some of them:
“-There are only two gods worth worshipping. Chance and electricity.
-Hell is all around us and it is in session as we speak.
-Evil is not what we should fear. Creatures with power acting in their own best interests; that is what should make us shudder.
-There has never been an era of peace in all recorded history.
-Interest in fair play and democracy are not always the same thing.
-I have a superb name for God. Whoever.
-Laws are needed because made-up religions are not enough.
-The universe is nothing but mathematics and probabilities…we are nothing more than accidents of our births.
-They say the only thing worse than being talked about is not being talked about.
-Your race, your school, your family will dictate how the dice of life will fall for you.
-All religions keep the poor docile and the rich in their castles.
-People are ok if bad things happen to people who are not them.
-Do not be afraid of demons; it is the living we should fear.
-I have thought long and there are no answers. There is only this. There is only now.
-We must all find a pointless cause to fight for, or why bother with breath?
-The kindest thing you can say about life. It’s not for nothing.
-I cannot understand why humans destroy when they can create. Such a waste.”
In my last blog post about reading, I promised to address the prophecies of Octavia Butler in my next post. The best way is to quote some passages from Parable of the Talents which was published in 1998. This book is the sequel to Parable of the Sowers. In that book the main character creates a new religion with CHANGE as a major focus. In fact, one of the main tenants of that religion forms the words on Octavia Butler’s tombstone which I quoted in an earlier post. Here are some passages from Parable of the Talents:
I couldn’t help wondering, though, whether these people with their crosses, had some connection with my current least favorite presidential candidate, Texas Senator Andrew Steele Jarrett. It sounds like the sort of thing his people might do—a revival of some nasty out of the past….So now we have another group that uses crosses and slaughters people. Jarrett’s people could be behind it. He insists on being a throwback to some earlier ‘simpler’ time. Now does not suit him. Religious tolerance does not suit him. He wants to take us back to some magical time when everyone believed in the same God, worshipped Him in the same way, and understood that their safety in the universe depended on completing the same religious rituals and stomping anyone who is different.
Jarrett’s supporters have been known to burn people at the stake for being witches….a Moslem, a Jew, a Hindu, a Buddhist, or in some parts of the country, a Mormon, a Jehovah’s Witness, or even a Catholic. A witch may also be an atheist or an eccentric…anyone who does not fit into Jarrett’s version of Christianity. He condemns the burnings but in very mild language.
He has a simple answer: ‘Join us! Our doors are open to every nationality, every race.! Leave your sinful past behind, and become one of us. Help us make American great again.”
Note: If you are interested in Octavia Butler books, the stack at the right bottom of the photo are mostly her books. Some are series and need to be read in a certain order.
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