This is my first Murakami novel; it will not be my last. It’s fascinating and profound. A 15 year old boy, Kafka, runs away from home. His mother and older sister disappeared when he was four. He does not remember them. His father, a famous sculptor, ignores him. Although they live in the same house, they rarely see each other. After running away, he finds a private (but open to the public) library in another city and is taken in by the two people in charge of the library.
Nakata, another main character who is an elderly man, is not very bright due to a bizarre event that sent him to the hospital in a coma when he was a child. He talks to cats and makes fish and eel fall from the sky like rain. He becomes friends with another principal character, a young truck driver, who helps him out because Nakata reminds him of his grandfather.
The novel portrays the lives of these characters through their actions, dreams, and fantastical events. The unreal becomes real and people learn about their true selves through these events.
This novel surprised me by being a page turner. Once I read through the first couple of chapters, I had to keep going. In Southern California the Salton Sea, once much larger and the home of a thriving resort, now has shrunk and only a few people live there. Not far away lies the Imperial Valley, one of the largest agricultural regions in the US which is close to the Mexican border. This is the setting of the story of the little town of El Valle, the surrounding areas, and the tale of two families, one rich, white landowners, the other Mexican-indigenous. Mal, one of the main characters, has always lived on El Valle, worked hard, tried to forget the disappearance of her sister, and raised two daughters alone. Another local girl goes missing, then a week later her youngest daughter also goes missing. Frantic, she searches for answers, wonders if there is a link, and keeps dreaming of the local, indigenous legend of the horse headed woman, El Siguanaba. Meanwhile readers learn about the long friendship and affair between Mal’s oldest daughter, Griselda, and the son of the valley’s largest, white landowner, Mal’s difficult, disabled mother, her father, and brother’s, one of whom is running for office after going to Stanford, and the youngest brother, Benny, who is now a detective. Not only does this work of fiction combine Latinx and indigenous cultures, it also addresses environmental collapse, family secrets, and the complex relationships between mothers and daughters.
This autobiographical novel was written by a good friend of mine whose own family experienced some of the horrors of the AIDS epidemic in the 1990s. The main character, Hope Winterfield, and her husband make their living as antique dealers in Texas when her elder brother, Robert, a doctor with HIV, convinces them to move with their three daughters to the LA area to help him out. Because their antique business is not doing well and she wants to help her brother, they move, thinking that if it does not work out, they can move back to Texas.
Robert has an ex, Anthony, who is also his business partner, who hates Robert’s new love, the charming, handsome, younger man, Cody. Hope takes the job Robert has offered her, only to discover the dynamics surrounding the job, her brother, friends she has known for years, and many others are nearly overwhelming and that quite often nothing is as it seems. Added to all this is Hope’s difficult mother who often denies the realities of her own life. This is the tale of a family and complicated family dynamics where the main characters have to decide what it most important in life and what they should value the most and fight for.
Translated from French and written by a Senegalese author, this novel takes place during the time of colonialism and the slave trade. In Paris of 1806, a famous botanist, Michel Adanson, is dying. He never has finished the botanical work to which he dedicated his life, and as he lays dying, his last words are the woman’s name “Maram”.
His daughter finds an unpublished memoir hidden in a cabinet. It is the story of his younger life, what happened to him in Africa, all addressed to his daughter so she can understand his story and the meaning of his last word. It is a tale both strange and sad, filled with healers and magic and tragedy. Maram, a fabled revenant, a woman of noble birth from the kingdom of Waalo, was captured and sold into slavery but managed to escape. While working on his quest to find new plants, Adanson hears about this woman and becomes obsessed with finding her. His guide, Ndiak, the son of a chief, accompanies him everywhere and they become friends. This is a story of adventure, romance, and the horrors and cruelty of the slave trade.
Note: The author won the International Booker Prize for his other novel, “At Night All Blood Is Black”. Readers of this will miss several books I am reading because I am a judge for a literary context and cannot discuss what I am reading for the next several weeks.
“What’s an army anywhere but a bunch of state-sanctioned mass shooters funded by our tax dollars. Do the deed as a civilian and you get the chair, do it as a soldier and they’ll pin some tinfoil your chest.”
“To be alive and try to be a decent person, and not turn it into anything big and grand, that’s the hardest thing of all. You think president is hard? Ha. Don’t you see that every president becomes a millionaire after he leaves office? If you can be a nobody, and stand on your own two feet for as long as I have, that’s enough…People don’t know what’s enough. That’s their problem. They think they suffer, but they’re really just bored. They don’t eat enough carrots.”
In a rather ordinary, small, dismal Connecticut town an elderly woman, suffering from dementia, saves a 19 year old boy from committing suicide. She takes him in and this act of kindness transforms both their lives in unexpected ways. While taking care of her, he also finds a job at a local fast food restaurant where his cousin works as well as several others whom many would consider lesser people. They help each other, form tight bonds, and develop unlikely friendships that reveal how caring and empathy can make all the difference in people’s lives.
This novel is touching, sad, and joyful all at once. These are poor ordinary people trying to survive the best way they know how. For many readers it will be a glimpse into the way many people in this country (and, indeed, the world) actually live–poor, struggling to survive, but also kind and caring.
Rather than summarize or evaluate, I am going to provide some quotes from the book. I will say that if you want to understand the current state of affairs in the United States of America, this book provides excellent insights based on history.
From the Introduction:
“America began with a great paradox: the same men who came up with the radical idea of constructing a nation on the principle of equality also owned slaves, thought Indians were savages, and considered women inferior…it was a key figure of the new democratic republic…the ringing phrase ‘all men are created equal’ did not actually include everyone. In 1776, it seemed self-evident to leaders that not every person living in the British colonies were capable or worthy of self determination. In their mind, women, slaves, Indians, and paupers depended on the guidance of men like themselves…So long as these lesser people played no role in the body politic, everyone within it would be equal. The principle of equality depended on inequality. That central paradox–that freedom depended on racial, gender, and class inequality–shaped American history as the cultural, religious, and social patterns of the new nation grew around it.”
From The Triumph of Equality:
“The accomplishment of white male equality under the law was extraordinary…They argued that their new system made their new nation different from the Old World, which was split between a corrupt aristocracy and the lazy poor.”
“On March 4, 1858, prominent South Carolina slaveholder James Henry Hammond gave a speech in the Senate–to which he had been elected the year before despite the fact that he admitted two years earlier he had sexually assaulted his four young nieces…The greatest strength of the South was not its economy…but rather ‘the harmony of her political and social institutions.’ Every society had ‘a class to do the menial duties, to perform the drudgery of life’…the people who make up the ‘mudsill of society supporting that other class that leads progress, civilization, and refinement.’ The men in the latter group are wealthy and well connected…In the South whites had made an ‘inferior race into mudsills, dull but loyal people who are content to have their labor directed by their betters.”
“Now a national figure, Lincoln articulated a democratic vision for America, one that refuted the mudsill version of Senator Hammond…he explained that Hammond’s theory divided the world into permanent castes: capitalists driving the economy and workers stuck at the bottom.”
The West:
The last stand of the Alamo became the foundational event for western American history, offering a vision of self-sacrifice and heroism. It prompted the formation of the Republic of Texas, and inspired Texans under Sam Houston to defeat Santa Anna’s troops…In the retelling of what happened at the Alamo, what got lost was the reality that the defenders were rebelling against the Mexican government in Mexican territory, and that they were fighting to defend the right to enslave people. The myth also ignored the fact that many of the defenders were Mexican opponents of Santa Ana, and that some of the defenders–including Davy Crockett–surrendered.”
Cowboy Reconstruction:
After Lincoln’s death, Johnson wanted no part of Lincoln’s and the “Union’s democratic vision. To rebuild the South, Johnson turned not to the Army, or to the ex-slaves who had supported the Union, but to former Confederates. He offered pardons to all but 1500 Confederate leaders…states codified the racial violence that swept across the South in the summer of 1865. As employers cheated workers out of wages, gangs beat and raped African Americans into submissive behavior, and whites attacked their black neighbors, southern state legislatures created the Black Codes.”
The West and The South Join Forces:
“The resurgence of the South’s ideology came from the nation’s new bloc: the western states. Easterners had made the mistake of thinking the westerners would join their coalition, only to discover that due to their peculiar history and extractive economy , westerners had more in common with white antebellum southerners than with easterners. By the 1890s a few wealthy men dominated western society. Poor white men had little opportunity. people of color and women even less, and leaders worked to keep it that way. Still, as in the East before the Civil War, the myth of the individualist convinced Americans that the west was the land of opportunity…Theodore Roosevelt’s war record took the western ideal and put it on the national stage. By the end of the century, Americans embraced the cowboy image and vowed to spread it across the globe, putting into law that some people are better than others. Once again freedom was hierarchical.
“In the early part of the twentieth century, southern towns began to erect statues of Confederates, making them into western style heroes and individualists. The rewriting of the past created momentum for women’s suffrage…Rebecca Latimer Felton was a reformer who wanted educational and prison reform as well as women’s suffrage. She was also in favor of lynching her black neighbors who wanted equal rights…The Ku Klux Klan reformed and rebounded in the 1920s…Meanwhile in the West, immigrants and Indians were falling victim to a legal system that established castes. In Texas, officials were hardening a racial system that classified migrants across the Mexican border by race. In Arizona, a state law singled out ‘treason against the state’ as punishable by death aimed at Apache and Navahos who might fight the legal system ensnaring them. In Oklahoma…corrupt legislators arranged affairs to steal valuable land from Indians.
The novel fascinated me in so many ways, the style of writing, the subject matter, what I learned about some famous paintings and especially Turner. I will never see works by Turner in the same way as I previously did. Before mostly I noticed the colors, the translucence. I totally missed the details and the violence nearly hidden.
The novel takes place after an ecological collapse in England where first violent floods occurred followed by a devastating drought. Now it has not rained in three years and Penelope, the main character, spends most of her time working as an archivist for the notable collection at a soon to be demolished estate in the English countryside. She has lived here for two decades with her current partner, Aidan, who owns the estate. The disasters have nearly destroyed the once magnificent mansion. Now Penelope and Aidan allow refugees from the disasters to live there with them as they transition to new places and housing until the new buyers demolish the place.
Most of the novel is Penelope’s diary, what she writes about her life present and past. In the midst of this her archivist notes appear as well as descriptions of famous paintings, most of which show women being brutalized in one way or another, e.g. The Abduction of the Sabine Women, 1633-34, Nicholas Poussin. Later in the novel there are segments from the viewpoint of Aidan’s brother, Julian, who previously owned the estate and with whom Penelope experienced a violent and disastrous relationship.
This is a tale of survival, redemption, memory, and art as a means of renewal. I liked this novel so much that I spent time looking up the art the protagonist describes, researching Turner, writing down passages, etc.
In the late 1800s there is a photo of a group of Black babies lined up with the caption Alligator Bait. This trope goes back to the antebellum South but came into its own later. This photo, created in 1897 and popular with white Floridians, started an entire industry. There were even postcards of alligators chasing terrified Black children. Fishermen could buy lures that looked like a Black baby protruding from an alligator’s mouth. There was even a song called “Mammy’s Little Alligator Bait” and mechanical toys showing alligators swallowing Black babies. Thankfully, there is no evidence of Black babies actually being fed to alligators, but still…
Now we have Alligator Alcatraz and the president and his buddies even make jokes about why they put it in the middle of a swamp–anyone trying to escape will be alligator food. Who are the people there? Not any rich white people. They say it is to make the country safer. Data shows the place is not filled with criminals, even though some are there and maybe deserve to be there, but most are not criminals, just ordinary people who are darker–brown and black. It would seem that the trope of feeding certain sorts of people to the alligators never went away. How “sick” can we become.
While reading the novel “Landscapes” this afternoon, this passage struck me: a man, recently blind, explains, “I rely on my other senses. I get by. But in another way I’m not sure I ever knew where I was headed, not even when I had eyesight, you know what I mean? I doubt anyone really knows where they’re going. But you walk ahead anyways, no?”
This caused me to reflect on a video I saw earlier in the day at Mendez High School where I work for College Match LA. The purpose of the video was to help students address what they will write about in their college essays, how they will write about themselves. It’s called “Essence Objects”. The task is to think about various objects you would put in a box, objects that represent how you see certain things or people, how you think. Here are some examples:
What object reminds you of your mother?
What object represents your favorite piece of music?
What object reminds you of a fear you have?
What object would you choose to illustrate your favorite book?
What object would a friend associate with you?
The list goes on and on, thought provoking questions. I don’t have to write a college essay but I’m going to go over the whole list and think and think and think.
Note: I picked this photo because the objects that make me think of my mother are roses. She had a rose garden in front of the barn on our Missouri farm. All summer when the roses were blooming, she floated roses in a glass bowl on the kitchen table where we ate.
The last two books of hers that I read were set in the more recent times when Salvador Allende and later Pinochet were presidents of Chile. This one dates back to the 1800s and the Chilean Civil War. In 1866 a nun of Irish descent living in San Francisco has a passionate affair with a Chilean aristocrat and becomes pregnant. He abandons her; their daughter becomes the woman in the title of this novel. She is raised by a loving step father, an intellectual teacher from whom she learns to be independent and defy societal norms. At a young age she becomes the writer of short pulp fiction novels using a fake male name. The income from these helps her family live a reasonably good life.
Bored with writing these lucrative little books, she convinces a San Francisco newspaper to hire her as a journalist where she works along with a more seasoned journalist, Eric Whelan. Eventually, the two are sent to Chile to cover the civil war and violence occurring there. She sees this as not only an opportunity to satisfy her adventurous spirit but also an opportunity to find her biological father. She encounters dangers, almost gets killed, and sets off to find herself in the far southern reaches of the Chilean wilderness, learning from the indigenous people who live there how to survive in remote mountains.
Note: One of the places she goes was nearly impossible for non indigenous people to find during the 1800s and many never made it. Today, it is a popular area for hiking, camping, and exploring nature.
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