One Book a Week-18: “If An Egyptian Cannot Speak English”, Noor Naga


Identity politics remains at the heart of this unusual novel. Written in three parts, One portrays a “love” affair between an Egyptian American woman who has gone to Cairo to find her Egyptian self and an unemployed, revolution (as in Arab Spring) photographer who alternates between living in a rooftop shack and homelessness. Each vignette starts with a question and alternates between the voice of the woman and the man, expressing their viewpoints on life, love, and their situation. Part Two is the same except without the “headline” question. Part Three is a big surprise–a discussion, written as a play, a critique of the rest of the novel among the author, an instructor, and several “students”.

I loved this book in part because it enabled me to learn a lot about Egyptian cultures, but also because I found it thought provoking and intriguing.

One Book a Week-17: “Olive, Again”, Elizabeth Strout


Never having read the first book about Olive, the book that won the Pulitzer for Strout, I did not know what to expect. As I read, I often laughed out loud and then later thought, “What!” Olive is quite the character, sometimes almost blunt to the point of cruelty, sometimes unexpectedly considerate and kind, and always strongly opinionated about things I did not expect. She also has the ability to sometimes look at herself accurately and question herself, which would seem to be a good characteristic. Olive goes on in spite of numerous setbacks, mishaps, and illnesses, including the realities of old age. Strout’s portrayal of some of these realities seems stark, almost brutal. Yes, it’s accurate and she’s good at it, but I kept thinking, “Do I really want to read this?” If I get like this, they can just shoot me. But they won’t.

Baja Trip-3


After visiting the winery in the previous trip post, we headed to another winery, Las Nubes (The Clouds), for more tasting and lunch. We did not visit the cellars here but the lunch view was spectacular as were the sandwiches. Like many other buildings at other wineries, a lot of the building material is local stone.

Taken from below the winery and restaurant area. Then off we went to winery three for the day, Clos de Tres Cantos. This winery is created with a philosophy dedicated to making natural wine, caring for Earth, and blending into nature. They also have deliberately grown varietals that can best withstand climate change. All the buildings are made from local materials and designed by a local architect.

A wall made from wine bottles.

A shrine to the Virgen de Guadalupe with wine aging to the side.

A natural roof of soil and flowers.

From here we drove through the countryside to La Laja restaurant for dinner. It is located way out in the country where they grow what they serve except for the fish which is locally caught in Ensenada area. It is rated as one of the top 50 restaurants in Latin America. We experienced a six course meal including two desserts, one of which was a slice of mango steeped in mescal.

Baja Trip-1


Day one we drove across border to Tijuana where we visited the incredible La Caja Art Gallery. We viewed a variety of art works, drank delicious Mexican chocolate, and had a sensory experience blind-folded.

A close up of the previous painting. It consists of not only layers of paint but also carving into the surface.

Food for thought.

A different artist for the above and the following.

This one was painted directly onto the wall.

Later we experienced lunch at Caesar’s where supposedly (this is contested by some other places in Mexico) the original Caesar Salad was created.

One Book a Week-16, “The Promise”, Damon Galgut


Winner of the 2021 Booker Prize, this novel illustrates the dismal consequences of colonialism and racism. South Africa before and after apartheid comes alive in this story about an Afrikaner family whose matriarch dies young enough to leave her husband with three children, only one of whom is old enough to be on his own. In her dying, she returns to her Jewish roots much to the horror of her husband and many others. Her youngest daughter overhears her dying wish which her husband promises to fulfill even though he has no intention of doing so. This remains an underlying thread, the promise which this daughter never forgets.

The difficult, often prejudiced and unequal, relations between the races underpins the actions of most of the characters, leading a few to greater humanity and kindness, but most into lives of loss, disappointment, and anger.

One Book a Week-15: “Oh, William”, Elizabeth Strout


Told from the point of view of the main character, Lucy, in first person, the simple language the author uses as Lucy tells her story, reflections, and anecdotes belies the deep knowledge of marriage, parenthood, the entire human condition underlying this novel. Two once married individuals go on a trip to Maine to learn about a relative one did not even know he had until he received the results of a casual DNA test, a gift he did not originally take all that seriously. They’ve been married and then divorced for years and have two daughters together. In spite of their best efforts to the contrary, they remain connected even when they find each other a mystery.

A rather simple story, written in plain language, holds the following piece of wisdom–Lucy’s words which end the novel:

“Everybody in this whole wide world, we do not know anybody, not even ourselves!

Except a little tiny bit we do. But we are all mythologies, mysterious. We are all mysteries, is what I mean.

This may be the only thing in the world I know to be true.”

National Poetry Month: 1: The Kingdom of Trees


An essence within the heart of trees

allows them to communicate

with other trees to

-aid each other when disturbed

-send secret signals, warnings to other trees

-express pain, sympathy.

The kingdom of trees now cries

worldwide in pain,

watching each other’s murders.

land laid naked, nature destroyed.

Note: I wrote this poem last year. It is published in the anthology, “Writing Through The Apocalypse, Pandemic Poetry and Prose”,

Editor: Marcia Meier

One Book a Week-14: Trust, Hernan Diaz


The first half annoyed me. I kept asking, “What? Why? What is wrong with these greedy, despicable people?” I almost quit reading it (I never quit reading a book) but plunged on. Then, about halfway through “A Memoir, Remembered” section entranced me. Aha. Now I “get” it. I became so engaged I read the last half almost straight through without stopping.

The title should be Truth. This novel deftly explores these questions:

-What is true?

-Whose truth is true?

It does this via competing narratives involved with financial markets, how investors have and can manipulate the stock market, and relationships. It also quietly addresses the issue of how men take credit for the acumen of the women with whom they are involved and the destructive power of wealth and influence.

One Book a Week-13: Blue Desert, Celia Jeffries


As an ardent reader who prefers what are usually referred to as literary novels and serious non-fiction, few books impact me deeply and emotionally like this one has. As soon as I finished it, I reread parts of it several times, then sat silently stunned.

After her family moves to North Africa for her father’s work, an 18 year old British girl, rescued by a Taureg leader, is believed dead by her family until she resurfaces years later at a Catholic “home” run by nuns in North Africa. She re-enters British society, marries, leads a relatively “normal” life while keeping a secret for decades. When she receives a telegram, “Abu is dead”, everything changes. Her past comes rushing back in unexpected ways.

One Book a Week-12: The Sweetness of Water, Nathan Harris


The immeasurable horrors of slavery and the immediate years after come excruciatingly alive in this novel. Decent white people help recently freed brothers but at a terrible price. A “forbidden” romance between two Confederate soldiers highlights the destructiveness of class and hatred. Yet, in spite of the despair and cruelty, resilience, decency, and tenderness prevail in the end. Long listed for the Booker Prize, this detailed and beautifully written novel remains true to some of the most painful parts of US history.