vibrant fall colors
bring joy
in a troubled world







Every week I go to Mendez High School in Boyle Hts., CA. Between meetings with my students, I take a walk in one of my favorite neighborhoods. Frequently when a person mentions low income housing, a negative image comes to their minds. Wrong. The neighborhood where I walk is beautiful, lovely places full of flowers. In one area the buildings are painted in joyous colors that make me smile every time I walk there. Here are photos for you to see for yourself.

Downtown LA in the background.









A striking, foreign, young couple appear one evening in the Jeema of Marrakesh. The woman’s incredible beauty fascinates the observers. Suddenly, they disappear. Hassan, a traditional storyteller, invites those who observed the couple to tell what they saw and knew on that night as he presents his own stories to the crowd at the Jeema. His brother, Mustafa, has confessed to the crime of their disappearance, telling everyone he loved the woman whom he hardly knew. He is imprisoned for their disappearance. However, nearly everyone acknowledges that he had nothing to do with it. This novel presents all the different views of the couple, their disappearance, and what it means. Often observer stories contradict each other, raising the questions of what is truth, whose truth is factual, how can we know what is true and how do we define love. Hassan is determined in his quest which takes the reader through all these stories, Hassan and Mustafa’s childhood, the mysteries of the Sahara, and much more.

It’s 1932.
Movie roles promised to 22 Black Americans.
“Black and White” in the
Uzbek Soviet Socialist Republic.
Treated like royalty, wined, dined, at
their own expense.
Hughes–ridiculous script. All went
home except Hughes. He stayed,
traveled, saw cotton grown from Aral
Sea water–now no water, desolate
desert.
In Tashkent, Uzbeks, Turkmen, Tartars
honored him, flowers, fruit.
No English.
He met a Red Army Captain from
high Pamir Mountains. Hughes
described him, Black with Oriental eyes.
Hughes called him Yeah Man.
He called Hughes Yang Zoon.
Weeks together never understanding
each other’s words.
Hughes’ poetry book
“The Weary Blues” first
American book translated to
Uzbek. Original English version
lost. He describes this new place:
“Look: here
Is a country
Where everyone shines.”
Note: You can find a version of this book translated into English from Uzbek by Muhabbat Bakeava and Kevin Young.

As a summer person, I’m less excited than others I know to see it end. This abecedarian poem allowed me to experiment with words without searching for profound meanings, allowed me to play.
Autumn
brings
chills
dreary
evenings
fog.
Gone
heat
intense
joy.
Kindness
lingers while I
meander
near
oceans
playing
quickly,
running in
sunshine.
Tomorrow
under a
vanishing
wind in a
xeroscape
yard, I will
Zoom my next meeting.


This book contains 20 fantastical and dystopian short stories. I found them fascinating with topics ranging from selkies to ogres to ghouls to jinns to witches (in this case positive ones). The settings range from US to Africa to a settlement in outer space (the story “Fallow”). Divided into two sections, Tender Bodies, Tender Landscapes, these stories address human frailty, anger, greed, extreme religions and how humans treat each other (both good and bad) and what might occur in the future if people do not behave better. “Fallow” is a sort of handmaid’s tale where instead of being on Earth–which has been basically destroyed–a group of extreme religious folks have made a place for themselves on another planet after escaping Earth. If anyone from Earth accidentally shows up, they are in big trouble unless they become just like the people already there. Otherwise, they do not kill them–that is wrong–but just sort of let them slowly die. These stories, both brutal and lovely, display an incredible imagination.

I waited for more than a year to get this book via the library. It stayed on the best seller lists for months and months and has been translated into more than twenty languages. It is the saga of one family from 1900 to 1977. The setting is the Kerala area of India (I have been to India but not this area). It is unique compared to much of India in that Christians, Muslims, and Hindus live in relative peace with each other. Unlike the more arid parts of India, this is a place dominated by water which is a major theme in the book. Several of the main characters in the book suffer from an inherited Condition, as they refer to it. In every generation, at least one person dies from drowning.
The book begins with a 12 year old girl being married off to a 40 some year old widower. She has to travel far from her family via water. He is kind and patient but unlike her, who loves the water, he will travel many extra miles to avoid even traveling by water. He is terrified of water because he has the Condition. Eventually, she becomes the family matriarch, Big Ammachi. This is her story and the story of her descendants, the Christian community in Kerala, and the fate of one British man who remained in India after independence. It is also the story of the progress of medicine (Big Ammachi’s granddaughter is determined to become a doctor and find what causes the Condition) and how one family experiences many hardships to further future generations.
The author, Vice Chair of the Department of Medicine at Stanford, details this fictional family’s history for several generations in 715 pages. It sounds daunting but I kept reading because I wanted to know what happens to all the people. At the same time, I found this to be one of the saddest books I have ever read. Due to the Condition and leprosy, for which there was no cure at the time, many people’s lives are horrendously affected. I did learn a lot about medicine and medical advances, how leprosy destroyed lives, Kerala and, much to my amazement, that many Christians in Kerala continued to follow the Hindu caste system.

Arcosanti, an innovative village 70 miles north of Phoenix in the high desert, houses between 80-100 people who currently live there full-time. To become a resident, a person has to apply, take a five week course, and be able to contribute to the community. Their major business is making bronze bells in their foundry. They also host conventions. The week before I arrived, they hosted a convention of the executives of a corporation.
A few rooms of varying sizes are available to rent. They are pleasant with a view and modern amenities but not luxurious in the way some top hotels are. Here are views from my room.


After I arrived and unpacked, I took a walk up the hill and around the buildings.



This is a sort of giant classroom where it appeared they had been teaching how to make ceramics. The buildings are unique with the concept to fit in with the surroundings and take as little energy and resources from nature as possible.

This is the other side of the building in the previous photo. It is very hilly here and the buildings are build on the side of a steep hill.


The same building from a different angle. It was very windy when I was there and part of the area was closed due to the wind. There are bells everywhere and all were ringing in varying musical tones.

I walked down the road from my room, on a long trail, and up a steep incline to arrive across from the buildings so I could take these photos.


A closer view from across the arroyo.


This is across the arroyo from the main buildings. In the shadow, there is a door. I never learned what all this is for or what might exist behind the door.

All sorts of wildflowers were blooming when I was there in May.

The restaurant is unique and delightful. They serve excellent coffee–one day some was lavender infused–and various other simple dishes and pastries they make on site. The orange column you see is installed in winter to provide natural heating using natural airflow and taken down in late spring. This is a unique and pleasant place to visit. You can take tours. If you stay there, you can wander around freely. And, of course, you can purchase bells from the very small to some that are quite large and like metal works of art.
Several weeks ago, I spent a day wandering around the ancient sites where native peoples gathered over a thousand years ago.

This explains the extensive influence this place, located in the northwestern New Mexico desert, held for people from as far away as Central America. To reach this park, you have to drive on a dirt/gravel, rough road for more than 25 miles north of Crownpoint, NM. It is definitely worth the effort. However, it is impassable in rainy or snowy weather. The rangers who care for the park live there.
One of the first things you see as you get closer to the park is this rock tower, Fajada Butte.

Archeologists climbed to the top and discovered petroglyphs, “Sun Daggers”. Created between rock slabs, they align with each solstice and equinox and at these events the light projects to other sites, e.g. Pueblo Bonito. Other petroglyphs on a section of the canyon wall represent a supernova that occurred in 1054 CE.

The following depicts an overview of the site as it would have been in the past. In the 1940s part of the wall of rock behind the site collapsed onto it and destroyed some of the buildings.

Here is how it looks today. Many of the doors and windows align with astronomical events, e.g. solstices, the two equinox, and astronomical events that occur only every 17 years.

All sites here contain many kivas, many of which are very large. It is speculated that these were used for various sorts of ceremonies, including religious events.

In this view you can see how the rocks that fell from the cliff have destroyed parts of the structures.


Many of the buildings were several stories high. In their heyday, they did not look like this. They were covered with something like stucco and painted white. What an impressive site they must have been–large white structures in the middle of the brown desert. Archeologists think few people lived here. It was a place for gathering, for ceremonies, for trade, for people from long distances to meet.

Across from Pueblo Bonito is the largest kiva found in the area.


Behind the bars on the far side of the photo is an area that was used for ceremonial dancers to don their costumes. At the bottom you can see a depression with a small door. Before centuries of sand filled it in, this place would have be large enough for the ceremonial dancers to enter through it.
If you follow a trail along the cliff from Pueblo Bonito, you will find another area built at different times hundreds of years ago.


Another large kiva and many smaller ones are located at this site, including this famous long wall built at two different times.

The following shows where at some point the wall stopped, then later it was continued using somewhat different building material and techniques.


The top photo is considered the newer part of the wall.
The wood used for tops of windows and doors was brought from forests hundreds of miles away. The desert air has enable it to be preserved.


When you walk the trails, you see wild flowers and native plants. This is desert rhubarb and it is edible.



While these are photos of the more impressive structures at Chaco Canyon, more than two hundred ceremonial and meeting sites can be found in this area of NM and AZ.
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