The inside of the front cover informs the potential reader that this is a novel about a world steeped in mythology and violence, set in a small town in rural southeastern Mexico. The violence part is extreme, the kind of violence that only sometimes pervades a lot of small, rural, poverty ridden towns everywhere in the world. Written in a style reminiscent of Faulkner (I read a translation from the Spanish), each chapter tells the main story from a different perspective, the story leading up to and the death of the Witch who is found floating in the water of a canal. She is called the Witch but no one for sure seems to know her gender, where she attained the money to build such a huge house, and how she manages to entertain with lavish abandon. People both avoid her and are drawn to her.
There is the grandmother who thinks her wayward grandson can do no wrong while blaming her daughter ( the child’s mother) for everything and anything, there is his friend whom he both loves and hates, their is the poor girl he aids and loves who has been groomed and impregnated by her stepfather and has run away because of it, the engineer who loves boys and men, the woman who makes her living as a fancy prostitute to support her disabled husband and on and on it goes–people harming each other out of anger and frustration with their dire circumstances. For some of the characters, the writing is first person so the reader learns the interworkings of those mentally harmed by their life’s poverty and environment from which there appears to be no escape.
This is not a novel for the faint of heart.
writingontherim 